Friday, 28 April 2023
Monday, 24 April 2023
Not to be outdone, Shahrokh Dini's 'Derek And Me' flips the "tail-cocking at convention genre" to a deep house disco race [would also recommend Shahrokh Dini – Compost Black Label #149 – Remix EP]
Friday, 21 April 2023
At the time, this was another "re-launch" of the master vocalist as it followed his appearance at the Massive Attack currated Meltdown Festival and the Bristol trip hop sound is all over these six tracks.
Release date : 22nd April, 2023
Label : Mr Bongo
Catalog Number : MRB264
Format: LP / Bandcamp
And if you didn't think Marcus Malone & The Motor City Hustlers could back-up the previous single, 'Can't Take The Fight' (see review HERE), well they are back in the ring ready to punch ya soul lights out; starting with the opener 'Ain't No Telling'.
In fact, all ten tracks are a funk 'n' soul battering (in a more than good way) as there's definitely the "protest" in here that was totally lost from "modern" music at one stage; "Fight the power" as they'd say.
But this isn't all retrospecitve 60s soul with Woodstock idealism, there's a sexy blue machine on the cover and it's leaving Detroit on the I75 (come on you TV exec producers, there's a soul-umentary here following the boys on tour down to Miami, Florida, Georgia and the rest) and don't forget there's a single version out there with an instrumental.
Artist: Marcus Malone & The Motor City Hustlers
Title: Interstate 75
Release date: 21st April, 2023
Label: Ramrock Red Records
Cat. No: RRRLP008
Artist: Remi Kabaka
Title: Son of Africa
Release date: April 21st, 2023
Label: BBE Music
Catalog Number: BBE727
Release date : 22nd April, 2023
Label : Mr Bongo
Catalog Number : MRB7209
Format: LP / CD / Digital / Bandcamp
Artist: The Descendants ft. Mazen Bedwei
Title: Telling Lies ‘JP’s Unplugged Cuts’ EP
Release date: 21st April, 2023
Label: Ramrock Blue Records
Cat. No: RBR015
Who knew that there is a baroque revival I here you say.! Well, over in France/Canada, they know that Pierre Chrétien and Ed Lister are on it with their OST inspired Cinephonic album 'Visions' (review HERE) so here's a German/Finnish/Austrian jazz trio take as Tilo Weber (drums), Petter Eldh (bass) of Koma Saxo and Elias Stemeseder (various keyboards/electronics).
All the compositions are by Weber and it's so far from a typical drummer led trio as all three migrate from their 'instruments' as it does get a little wild at times
Artist: Tilo Weber Trio
Title: Tesserae
Release date: 21st April, 2023
Label : We Jazz Records
Catalog Number : WJLP53 / CD / Digital / Bandcamp
Thursday, 20 April 2023
'Unity' is the opposite as it's BIG synth and bang that he somehow unites; solidarity Ken.
The new album, 'Im Fünfminutentakt' has lots of 'Fün' in it and if you've never heard Kraftwerks 1973 album 'Ralf & Florian' this is pretty exciting stuff and it's quite sparse electronics/synths but also includes bi-lingual vocals on some tracks; perhaps not as 'poppy' as Kraftwerks' big hits.
Friday, 14 April 2023
Don't Know Where I'm Going (feat. Kameelah Waheed)
Don't Know Where I'm Going (Gavin Boyce Mix)
Don't Know Where I'm Going (Gavin Boyce Dub Mix)
Don't Know Where I'm Going (Instrumental)
Release date: 14th April, 2023
Label Colour and Pitch
Catalog Number CAP087
Cover artwork and photography by Zoe Childerly, as part of her project ‘Beneath The Waves'. More information at: www.zoechilderley.co.uk
Artist: Twelve Caesars
Title: Scenes From Wild Eyed Dreams
Release date: 14th April, 2023
Label: Ramrock Red Records
Cat. No: RRRLP009
Tuesday, 11 April 2023
Artist: Fybe:one
Title: Don't Let Go - You Go Down Smooth EP
Release date: 11th April, 2023
Label : Tru-Thoughts
Catalog Number : Digital / Bandcamp
Monday, 10 April 2023
Battling with loads of other Bandcamp Friday releases, this does stand out not only as it's meeting of Afrobeat legend, Dele Sosimi with Sam Duckworth (once aka 'Get Cape, Wear Cape, Fly') it's the start “The Estuary 21” (see review of the single, 'Ride Out The Storm' / 'Mo Ṣe B’ọ́lá Tán' HERE).
Since the connection with Wah Wah 45s, Dele has linked up with diverse musicians as The Milk, The 'meets' Prince Fatty & Nostalgia 77 project (Nostalgia 77 having just released their new album on Jazzman, review HERE), Lokkhi Terra, Eparapo and Medlar so we should not be surprised that The Shrine meets Southend-on-Sea at 'The Confluence'!
The six track have a stong afrobeat/pop sound, particualary the single and 'Open Up' which also features UK jazz legend and Essex resident, Snowboy (aka Mark Cotgrove - last seen live in Dorset at the time of his last LP, 'New York Afternoon' with the Latin Section).
Other highlights for me are 'Ori Mi' and 'Òtító Ti Jáde' but this is such a great production, all I can think is that we need the longer versions!
Release: The Confluence
Release Date: 7th April, 2023
Label: Wah Wah 45s
Catalog Number: WAHLP022 / BANDCAMP
Friday, 7 April 2023
If you can remember 1992, in the UK, Charts included The Brand New Heavies, Tina Turner, Diana Ross but not much in way of male vocals; Simply Red! So when Rick Clarke decided to made a nine track album with some ladies mostly and drum machines (in their infancy at the time) he clearly had no idea that 30 years on his album of raw street funk/hip hop/go-go house sounds pretty unique!
Apparently this was never released as he was in-deep contractually with Soul II Soul whose influence is most upfront on 'Gonna Make You Happy' featuring Jill Francis and 'Love Don't Strike Twice' featuring Easton.
Of course, London centric soul at the time was still heavily US influenced and it's heavy on influences like Luther Vandross, Shalamar, Sharon Redd and Street Sounds club culture.
Must have been very frustrating for all involved that these performances hadn't been heard by a wider audience until now, especially on tracks like 'Fantasy' featuring Gina Foster (who went onto we a busy backing singer with Swing Out Sister) and 'Without You In My Life' featuring Delores (who we know nothing about).
But at least when we now 'Guess Who' we know it's Rick Clarke and fair play to Freestyle Records for giving it a proper release and not trying to re-record it as it'll always sound unique.