Review: Q-Burns Abstract Message - QBAM RMX1 (Colour and Pitch)

The Colour & Pitch label has been a go-to source for ultra high quality melodic deep house since its inception, but their latest release steps things up a good couple of notches...and then some.

Having slowly developed an excellent relationship with self described “shadowy figure” Q-Burns Abstract Message, following his remix of their first release, the label’s gentle persistence in seeking new music from the Orlando based producer has paid off in fine style with this package of previously unreleased and unavailable re-works from Q-BAM’s elusive back catalogue.

After months of work tracking down artists and rights holders all of these previously hidden gems are now fully cleared, and have been newly remastered for this release – and there’s not a duff note in any of them.

First up is an excellent atmospheric and dubby rework of Church Williams’ “Touch The Sun” – sped up considerably from the original and ditching most of the vocal and piano, what we have here is a naggingly hypnotic piece that is hard to categorise (although it sounds like Summer) but very easy to love.

Track 2 is a deep and delicious rework of The Antirealist’s “Abscence” that is somehow brings elements as disparate as a classic reggae drum hit, Johnny Marr style shimmering guitars, analog synths and steel pan sounds together, binding them with a powerful but lazy bass line to create something that is – in my worthless opinion at least – nothing short of magical. Be careful what you’re smoking when you listen to this – you might not come back.

The wonderfully named Japanese Insanity’s track “The Lobster” is next for the Q-BAM treatment. I have no idea what the original sounded like, but this version is another hypnotic delight. Layers of sound coalesce to create another mini-masterpiece, with an arpeggiated key line providing an unavoidable brain-hook that will either entice you to dance or drive you insane – your call. Dubby explosions and sudden stops add to / release the tension as required. Brilliant.

Robert McCoy’s “Damascus” follows. It’s got a darker, deeper and more intense feel than the tunes that precede it, but with recognisably Q-BAM touches. Perfectly crafted, it sounds like 6am in the dark to me and it’s all the better for it, and the ethereal whispered vocals definitely help edge it towards creep out territory. Which is never a bad thing.

Mathew Scot’s “Trauma” as re-imagined here is a wonderful piece of work. Deep and just the right side of dark, it’s atmospheric, enveloping and twisted just enough to slightly mess with your head – in a nice way of course. A late night / early morning gem that sounds like you’ve known it forever, and one you'll be playing for the foreseeable.

So there you have it – a frankly excellent 5 tracker from an excellent label that is well worth your time and money. Please give both freely.

Review: DJ Spinna - The Sound Beyond Stars: The Essential Remixes (BBE Music)

Spinna was an icon of the indie hip-hop scene who switched rides on an early lap some way round the course of his DJ/production career, and, if he hasn’t yet reached the finishing-line, has accumulated trophies already in the form of some sizeable dance hits. The biggest of those, his mix of Shaun Escoffery’s ‘Days Like These’ is inexplicably not on either of the two lavish double albums (one track per side apart from LP 1, side C, which has two) this comes as, though it IS found on the CD. That early release (and its immediate predecessor, ‘Space Rider’ which was particularly big in New York) immediately put Spinna up there with the big boys in the world of house, and he’s stayed there pretty much ever since. If there’s a better vocal record in the last few years, I’d like to hear it (and please post it to me via this site)!
 
A high proportion of the material here is also vocal, but there are a couple of deeper, techier instrumental  tracks to spice up the vibes (and one of those, his Acid Power mix of Karizma ‘The power’ seems to be exclusive to the vinyl). Anyone who likes their house music rooted in the black American tradition will find much to enjoy here, but don’t expect four sides of gospel-style wailing. The original material is quite disparate, but there’s a marked tendency for Spinna to work with bands, and tracks that start out more ‘musical’ in the first place. A Spinna sound, grooving and funky, but never ‘hard’,  unites all the material here. A few personal favourites: Louie Vega with Raul Midon ‘A Better Day’, like sounding like a 21st century Jose Feliciano.; Fertile Ground, ‘Live In The Light’ –fierce, spiritual – and Tortured Soul ‘Why’, deep and dark. This is a well-deserved first retrospective for someone that’s helping to keep alive a vital strain of our dance music heritage.

The Sound Beyond Stars is available on vinyl, CD and MP3 directly from BBE
Or via iTunes

Review: Iron Curtis - The K.M.S. Years (Office Recordings)

I found the name of this EP a bit misleading, as K.M.S. refers to where the producer was living (Karl Marx Strasse in Berlin) not to Detroit techno legend Kevin "Master Reese" Saunderson's label KMS.  However, there is definitely the fingerprint of Detroit on this music--finding funk in the machines.  To be clear, this is not a funk EP--but the spirit of funk is evident. 

Diving into the tracks, "Magnet" is not very complicated, but sometimes simplicity is the disguise of genius.  It feels amazing.  Read that again, "It feels amazing."  Not the sound, not the arrangement, not the notes, but that ever-ephemeral element--feel.  The elusive difference between "repetitive" and "hypnotic" has been nailed by Iron Curtis.  That said, there are a few sonic surprises such as the super-syncopated introduction that seems to be fighting itself, yet works. It works in the same way that your body understands funk even when your mind doesn't; like when James Brown's grooves dance around "the one"--but it is never hard to find. Later there's the section where it sounds as though it's gone from a studio recording to an outside location, like we've gone for a smoke in the back-alley.  This is a great way of lifting the mood a bit before the insistent groove gets dropped on you again (which you are happy to receive!)  The take-no-prisoners kick drum says "Dance sucka!" and would make Sir Nose D'voidoffunk shake his rump.  Combined with the organ, piano, pads and perfectly-placed bass notes, this track has "classic" written all over it.

"What Happened Happened" is quite a bit murkier, but no less pleasant.  It's a bit like an after-club meal with friends where you don't remember the details, but the general feeling was good and you know something interesting went on because your friends always bring it up, but can't go into specifics.  The sounds are slightly distorted, the spoken word sample sounds pitched-down and kind of glitchy.  The bass & drum groove is solid and moves you along and the keyboard sounds have a dirty, but not dark vibe to them.  The "Berg Reduktion" of "…Happened" picks the mood up quite a bit.  It's less hazy memories and more cool party groove.  The  distorted and murky samples are still there, but the drums, bass and keys are a lot more upbeat.  Nowhere near as heavy as "Magnet," but well-balanced given the force of the A-side.

This one should work for terrace/lounges, bars and clubs and I think you're doing yourself a disservice if you do NOT buy this.  I expect to hear this one being played for years to come…

Office Recordings (OR04)
Format :  12inch vinyl / Digital
Release: 30.03.2015

Review: TwelveBitMusic - First Flight EP (Colour and Pitch)

I have to be honest – I first listened to this EP from Finest Wear and James Hockley’s new project  on a dodgy PC system, with nowhere near enough sleep after playing a loud and banging 6 ½ hour set. To my surprise it sounded bloody fantastic – and it sounds even better today.

The whole EP is effectively a master class in production, mixing and mastering. It’s obvious that these are tunes that have been written and produced with a lot of care, and I dare say, love, and the mixes are perfectly structured for DJ play. Production throughout is as crystal clear as a mountain lake (and at least twice as deep) and every element is expertly placed and has plenty of room to breathe  which makes for a very refreshing and enjoyable listening experience.  Add the fact that all three cuts are as danceable as hell and there’s no question that this is a very special release.

My favourites of the three tunes are the wonderful “Don’t Use Me” – once the main riff kicks in (after an extremely DJ friendly intro) it really doesn’t let you go – and “Steady Rising” which has an edgier lead synth that, to me, gives it a little more urgency. Having said that, the warm and lovely “Lifted High” is in no way a filler, and I’ll definitely be playing all three of them – I think you should be too.

TwelveBitMusic‘s First Flight EP is the pure, melodic deep house that lots of producers currently claim they’re making – but unfortunately they’re mostly wrong. Not much else out there at the moment comes close to this. Essential.

Review: DJ Oil - Phantom (BBE Music)

A quick look at Discogs tells us that DJ Oil previously had a solo album out a few years back on Discograph, which totally passed this writer by. When I wondered why I realised I had pretty much given up on the trip-hop genre, which was so ubiquitous through the ‘90s and noughties, but fell off the radar as it became ever more ‘ambient’ and unchallenging.  Well, this release should have said radar beeping furiously, because it’s anything but soporific mood music. DJ Oil has definitely put the ‘hop’ –hip-hop’s urban grittiness—back into trip-hop, while the trip is all about our lives now, more often a nightmare than a hazy escapist fantasy. This impression is conjured by his inventive use of rousing spoken-word passages, field recordings and an array of cool analogue and digital effects.

It turns out DJ Oil, Frenchman Lionel Corsini, was part of The Troublemakers, an acclaimed group who (uniquely) had albums out on both deep house label Guidance and legendary jazz label Blue Note. That tells you something of his affiliations to African-American music, and it’s this rootedness in that musical tradition that really sets this apart from other contemporary downtempo efforts.  It has more to do with James Brown, Fela Kuti and John Coltrane than  it does the chocolate-box confections that had seemed to sound the death-knell of the trip-hop genre (we won’t name names because we’re sure you’ve nodded off to them all yourselves), and it’s hard not to see the Black nationalist rhetoric  as also a coded commentary on contemporary France in the light of recent events. This will keep its place in my boxes alongside contemporary downtempo beat-makers as diverse and brilliant as Madlib, Nightmares On Wax, Fredric Galliano and Boards of Canada.

Buy now via at iTunes: geni.us/DJOilPhantom
CD / Vinyl at: www.bbemusic.com

Review: Aiby & The Noise - Dangerous Liaisons (Colour and Pitch)

Colour & Pitch has quickly established itself as a go-to label for deep, melodic and, let’s be honest here, intelligent music,  of which  their latest release – Aiby & The Noise “Dangerous Liaisons / Dream Suite” - is a perfect example. 

Barcelona based producers Garcy Noise and Vanessa Aiby’s first appearance on the label came with their storming remix of Teysel’s “”Continuous”,  to be quickly followed by this excellent two tracker  under their  own name.  

Lead track “Dangerous Liasons” is a warm and welcoming deep dancer that captivates from the first note – and of not from then, from the first “Yeah” which follows 20 odd seconds later. With a vocal top line of “Who needs enemies with a friend like you?” dancing across it’s wonderfully analogue depths and a perfectly old school skipping hi-hat pattern providing an irresistible drive, it’s destined to become a major favourite in next to no time.

Companion piece “Dream Suite” is an equally deep affair, but one that’s more of a grower  - musically and emotionally.  Starting from a drum pattern, other elements – including a distinctly enigmatic spoken vocal and a nicely growling bass - are added gradually until roughly the 3 minute mark,  when it breaks into sparser reverb drenched territory;  by then you’re on so much of a journey  you might get lost, where it not for the percussion coming back to show you the way home. Lovely stuff.

Aiby & The Noise “Dangerous Liasons” / “Dream Suite” , Colour & Pitch (CAP006) is available as a Beatport exclusive until December 9^th, when it hits iTunes and all other online stores. Buy it.

Review: Robot Love - Senadee (Black Hole Recordings)

Sena "Senadee" Verdi returns with what could be one of his biggest tracks to date - and this is clearly the thoughts of one of the most prolific independent labels out there. Black Hole Recordings have this week released a superbly remixed version of his latest production"Robot Love". Founded in 1997 by Tiesto and Arny Bink, the label has been home to some of the biggest names in dance music over the years. Artists past and present include music royalty such as Ferry Corsten, Armin Van Buuren, Giuseppe Ottaviani, Andain, BT and Deadmaus to name just a few.

Identifying pure talent seems to be an ongoing trait for a label who's mission statement is "Captivate, Communicate and Celebrate" and this is no exception to the rule. Senadee has been prolific as a singer, song writer and multi-instrumentalist over the last ten years, which has seen him collaborate with the likes of John Askew, BT and Chicane. And it's not hard to see why. His lyrics are absorbing and endlessly threaten to open the doors to his inner most feelings. His voice is filled with raw emotion, and is more reminiscent of his indie/rock routes than the normal clear tones that are more often associated with dance music.

The Original Mix is an upbeat dance floor filler, permeated with catchy beats and a heavy 80's influenced, top line synth melody, which is offset by the huskiness of the vocals. This is further expertly padded out for the extended mix.

Swedish Grammy and Brit nominated producer Zoo Brazil's take on Robot Love, is a deeper, more haunting vision, fusing together woodblock, pipes and bass guitar undertones. The addition of echo and loops adds further mystique, while the distortion creates a feeling of foreboding.

Picking up the pace is Discover Records A&R Man, Lostly - who's production skills and remix expertise are gaining him Worldwide recognition from the likes of Armin Van Buuren, Aly and Fila and Indecent Noise. South Africa's premier dance music producer gives the track a 140 bpm facelift, using his signature synth accents - injecting an energy which will undoubtedly get this track airplay on the likes of ASOT and FSOE.

A further remix from Discover Records Peter Hulsmans, aptly entitled "Android Excursion" adds simple piano riffs and drifting synths, which enhance Sena's mode of expression, resulting in a beautifully uplifting trance classic.

With a World Premier of the video scheduled to air on VEVO on Thursday 30th October, and full release on Monday 10th November, this track will leave you in no doubt as to the calibre of the artists debut album, which is due out in 2015.

Tracklist:01: Senadee – Robot Love (Original Mix)02: Senadee – Robot Love (Extended Mix)03: Senadee – Robot Love (Zoo Brazil Remix)04: Senadee – Robot Love (Lostly Remix)05: Senadee – Robot Love (Peter Hulsmans Android Excursion)

Robot Love - Zoo Brazil Remix out now on Beatport
Robot Love  - Zoo Brazil Remix Video

Review: Onium - Immix EP (Harmonious Discord)

Austin, USA. Capital of Texas. Home to SXSW, Willie Nelson, Google, Ebay and Harmonious Discord - a label that has "been the purveyors of offbeat melodies" for the last eleven years.  Created to provide a musical outlet for artists that defy convention, their latest release comes to us via Onium - also known as Stephen Moon. Onium first featured on the Discordian Dreaming Series. This however is his debut full length EP.

Well known for "pushing the edge", Onium flirts heavily with dub techno in this EP. Track One entitled - "He Breathes" feels dreamy and serene in the build up, with drifty synths that make way for a deep progressive baseline. Track two takes the baton and builds on to an edgy electronic euphony. Entitled "Opslo" and with three additional remixes, you certainly dont feel short changed! Up first, Echo Conscious brings us something a little more uplifting, with the introduction of cowbells, lighter melody and minimal distortion. This is offset by mucher darker, but equally stunning remixes from Bleupulp - which at times fools you into thinking that two tracks have been badly blended and Hemiptera - whose mix has a strong progressive feel to it.  "Sharing Light" demonstrates a much stronger techno influence as does the final track "Piped". The synths have a more sinister edge, with heavy echo and persistent bass lines, as in Breathe.

With a motto like "Cacophony at it's finest", this EP embraces it with both arms, although any harshness is quickly offset with a beauty that washes over you. It has cutting edge, creative production and I cant wait to hear more in the future from this forward thinking artist.

Immix is out now via Beatport and all good download stores.

Review: Karizma - Beats & Bobs Vol. 2 [R2 Records]

There are producers that feel the need to throw the kitchen sink at their tracks, smothering them in every effect and process imaginable. Karizma is not one of them. The latest in his Beats & Bobs series on R2 Records is remarkable for its infectious simplicity and stripped back grooves.

The opener “Klearkut” features a steady, bumpy afro-tech build overlaid with multi-textured percussive and melodic stabs and flows. A tough kick steers the track away from noodling territory and drive the simple melodies to a place where a subtle bass line and some unobtrusive squelches somehow add up to much more than the sum of this track’s parts.

The 10 minute “Earth These Beats” opens with a naggingly familiar old skool breakbeat and hypnotic, catchy stabs, rolling bumpily along through a series of nicely constructed breakdowns that will keep any dance floor on its toes.

All too often chefs ruin perfectly good ingredients by simply trying too hard. It takes skill and bravery to present a dish with a few simple ingredients, perfectly handled. But that’s exactly what Karizma has done with this release, and it’s refreshing to hear.

Beats & Bobs Vol.2 is out on October 27th.

Preview: Teysel - Continuous (Colour and Pitch)

Barcelona based DJ and producer Teysel takes centre stage for C&P’s 5th release. Inspired by underground Chicago and West Coast US house music, Teysel’s traditional, precise approach to DJing is reflected in his compositions. With an EP and several remixes released on German label EUN, he is now also finding his feet as a producer. Title track ‘Continuous’ represents a slice of simple, Berlin influenced, stripped down tech house, full of dark and brooding atmospheres.

Ahead of their forthcoming debut single on Colour and Pitch, Spanish production duo Aiby & The Noise make their entrance (and live up to the second half of their name) with a truly raucous remix of ‘Continuous’. Replaying the bass-line and adding some classic breaks, they transform the track into a growling behemoth; to be handled with caution!

Hailing from Czech Republic, residing in Brighton UK, A-Bee & Tom Vagabondo have released on countless labels both separately and together as The Lazyboys. Their remix of Continuous completes our package with a deep and mournful deep house journey, adding haunting spoken word and bleak, atmospheric synths.

Continuous is out now, exclusively via Beatport

Preview: Liquid Light - Human Condition EP (Blue Bass Records)

Sotiris Rinou, the talent behind Liquid Light is back with his latest EP Human Condition, which is being released on May 15^th on his own label Blue Bass Records. With a discography that stretches back nearly a decade, he has caught attention from the likes of Laurent Garnier, Hernan Cattaneo, James Zabiela and Anthony Pappa. 

The first track on the EP “Rephlex” has a minimal feel, pulling together the sound of the piano, male vocal samples and off beats. The synths quickly help change the direction, giving a much more upbeat funkiness. Track two, named “Come Together” is heavier, with some subtle yet effective beat changes that lead you down a different path without you realising how you got there. 

The third track named “Shake that thing” is my personal favourite and has incredible energy, with techno undertones, and the unmistakable sound of the bongo, that leaves you under no illusion that summer is nearly here and you should be appreciating this track whilst dancing on a Barcelona roof terrace. 

Finally “Until we meet again” is beautifully Euphoric, and reminds me slightly of the “Streets” classic Blinded by the light, but with less talking and more soul. I am looking forward to hearing the full EP on its release date, and know that one or all of these tracks will be grabbing the attention of many DJ’s throughout the next few months.

"Liquid Light" is out on May 15th on all major download stores.

Preview: Warma - Bunny EP (KDB Records)

Out on May 19th, this EP comes from the "first post-Soviet vinyl label", KDB. With some of the quirkiest artwork we've seen this year (a figure skating Putin anyone?!), the title track is a fun slice of techy house from Ukranian producers Warma. There's also a remix from South African producer Philip Jo, part of Dubai's seminal Audiotonic crew.

The Seth Schwarz version is truly the star of the show here though, featuring no less than 30 layered violin parts, all played live by the Berlin producer.

If you like your dance music emotionally charged, epic and containing lyrics about rabbits, you'll want to snap this one up!

kdb-records.com

Preview: Onur Ozman - Room To Dance EP (Onethirty Recordings)

The brilliant Onethirty Recordings are off to a flying start in this, their 10th year in existence, with a rather lovely release from Istanbul native Onur Özman.

As label boss Jevne puts it:

"Onur has been a sold player in Onethirty family since his first release "Not Enough" back in 2010, followed by "Hold On" in 2011 and "Broken Dreams" in 2012. His music has helped shape the Onethirty sound for years now! "Room To Dance" does not disappoint in staying true to both Onur's & Onethity's vibe! We are very excited to have this EP kick off the ten year anniversary, these are truly amazing tracks."

The package comprises three typically clean, bright slices of bouncy house music, plus a very pleasant moody remix of "Never Can Say Good Bye" from Fil Lavin.

The Room To Dance EP is out today exclusively on Beatport, and across all other stores on February 2nd.

Grab a preview here:

Review: Vipul - Evolve (Wind Horse Records)

At the forefront of the emerging deep house scene in India, Wind Horse Records has consistently impressed from day one. This latest release features both Vipul & Hamza, the two producers who most represent the label's unique sound.

Vipul's title track 'Evolve' is a typically dreamy, spiritual slice of house music, full of emotional twists and turns.

Ross Couch's remix moves the track toward the dancefloor with a bouncey swagger, however the breakdown takes us into achingly beautiful, cinematic territory.

Label owner Hamza's version retains many elements from the original track, adding low slung beats, basslines and sublime piano chords.

Dutchie Music boss Juan Mejia takes control for the final remix, taking the original into even deeper waters, full of melodic fragments and dreamy arpeggios.

As the label notes say: "Overall, this evocative offering from Vipul shows his transformation isn’t merely ensuring survival as an artist, but rather gaining him higher ground with each new rung on the
hierarchical ladder. "

'Evolve' is available now on Beatport and all other major download stores.

Preview: Never Knows feat. Qzen - Untitled 26 (Untitled & After)

An absolute treat of a single here from little-known San Francisco imprint 'Untitled & After'. Industrial electronic sounds with tinges of techno are the order of the day here, coupled with a beautiful vocal courtesy of Qzen, a singer whose credits include collaborations with John Tejada, 40 Thieves and many others. As with all the best tracks, 'Untitled 26' defies any kind of genre tag except our favourite one: 'damn good music'.

Japanese producer 'Birdcage' supplies the remix here; and it really is stunner. Simple emotive chords, scratchy percussion & wonderful use of the vocal makes this version ooze quality with every twist and turn. This is the first I've heard of 'Birdcage', and it's immediately inspired me to hunt down more of his work.

As the label notes so eloquently say: "If this single is the soundtrack to never seeing the sun then lots of people could be easily persuaded into signing up for this suspended in time experiment."

'Untitled 26' is released on all major download stores on November 5th.

Review: White Kite - So In Love EP (Deep Edition Recordings)

Deep Edition are swiftly (and deservedly) gaining a reputation as one of the most consistent labels on the scene. Launched three years ago in Newcastle UK, the label has brought founder Martijn and artists Graham Laverty & Michael McLardy to the fore, both as emerging talents and as tastemakers in their own right. 'White Kite' is a brand new project from Graham Laverty & Nicky Mann, and judging by this debut, we can't wait to hear more from the duo.

Mournful vocals, offbeat bass, hypnotic percussion and warm pads are the order of the day on the standout title track 'So In Love', creating a deeply satisfying vibe. A second, more dancefloor-centric original track 'Get Back' plus remixes from Martijn and Michael McLardy complete the package in fine style. It's refreshing to see a young label based around a small group of key artists, all collaborating and co-operating to build something unique and special. Deep Edition really is a family affair, and not the kind of family you'll see on Jerry Springer any time soon either.

White Kite's 'So In Love' EP is out now, exclusively on Beatport

Preview: pothOles - Hooni (Oh! Records Stockholm)

Fresh from his recent release on Roberto Rodriguez's 'Seranades' label, talented Finnish producer pothOles is back on Oh! Records with a pair of brand new tracks.

We've been fans of the mysterious Finn since day one, so it's fantastic to hear his sound developing in leaps and bounds. Title track 'Hooni' is a typically restrained, chilled slice of Suomi deep house, while 'Hatari' introduces a more insistent bassline and hypnotic groove.

With rumours of his own label launching soon, as well as tales of him recently being voted Helsinki's second sexiest man, one thing is for sure: watch out for pothOles!

The release is available now, exclusively on Beatport. Grab it HERE

Preview: Mesake feat. Indre Ju - Red (DeepWit Recordings)

We return from a long break between posts with a label who have had rather a long break between releases. Denmark's Deepwit Recordings are a favourite of ours here at You and The Music, so we are extremely excited to see them releasing new music again.

We're happy to report that their upcoming release by Lithuanian newcomer Mesake is completely and utterly true to form. Full of sublime atmospheric touches, sweet chords and delicate vocals from Indre Ju, the original version sounds like sunset on another planet...

Of the remixes, the ever reliable tONKPROJECT's version stands out a mile for us, jammed full of musical invention and emotion as per usual.

The release is out now on all major download stores- grab your copy here

Review: Monsieur Minimal - Candy Face Remixes (The Sound Of Everything)

Producer and musician Monsieur Minimal has been creating his unique brand of accessible indie dance for around five years now, but is still relatively unknown outside his native Greece.

Hopefully this is all about to change, with this fantastic selection of remixes of his emotive and haunting new single 'Candy Face'. The original version can be found on his 2012 LP titled 'Minimal To Maximal', which is also well worth a listen.

Containing a massive number of remixes (9 in total), there is truly something for everyone in this package, with many shades of electronica and house represented, as well as something called ‘chill-wave’ (I'm getting out of touch in my old age it seems)...

Highly recommended: the sublime, sunkissed version by E Major a.k.a. Elias Tzikas, as well as the more club-oriented, powerfully emotional rework by Dimi Phaze.

The package is out to buy now via Beatport and all major download stores.


Check out the original version (and stunning video) here:

Preview: Ludowick - Get It Off EP (22 Digit Records)

This stunning package features three chunky, moody, atmospheric house tracks from Barcelona stalwart, Ludowick. If, like us, you shudder at the very thought of a Marvin Gaye vocal in house music these days, you might be very pleasantly surprised by the title track 'Let's Get It Off'. Somehow Ludowick has managed to sample of one of Marvin's best known tracks, intelligently and with originality, without in any way cheapening the mood. Dark, brooding and intensely rhythmic, this is sure to work on the floor.

Manchester based production powerhouse Moodymanc supplies a remix so uplifting that it borders on the euphoric, whilst still managing to remain both credible and deep. As the label notes say: Moodymanc's music "makes you stick your hands in the air and carefully stroke your beard at the same time."

Of the other two original tracks, 'Signs From Heaven' is the clear standout. With clear influences from breakbeat and another cheeky vocal sample (this time from Seal), this is another brilliantly evocative track.

The EP is released on 20th May 2013. Until then, you can listen to a preview here: