Review- Rise Ashen and Boddhi Satva - Universality (Balanced Records)

Like many people, I haven’t always understood House music. However, I do understand spiritual things and soul things. Not “understand” in the sense of intellectual knowledge, but in the sense of having experienced them, knowing how it feels when they happen.

Some of my earliest memories are of music in a spiritual context—people coming together in celebration of the universal, transcendent unknown. We only have metaphors to help us grapple with its vast, incomprehensible greatness. The dancing, clapping of hands, closed eyes and electric joy shared among the gathered as the outward expression of music taking us to another plane beyond everyday existence.

Boddhi Satva and Rise Ashen invoke this same space beyond any divisions we normally allow to separate us in “Universality.” That is, House music as “church” or “ritual.” Boddhi vocally encourages us to step beyond boundaries we think of as our identities, while his music with collaborator Rise Ashen slips past our conscious mind with its hypnotic rhythms plus warm, enveloping bass and coaxes us to sway, possibly put our hands together to keep time and even shut our eyes to “tune in.”

This is Spiritual House in its truest sense, music that connects one’s spirit to a ritual reminding us of the universality of our being as a species. Hopefully it could also help you understand House music—if you don’t already.



Artist: Rise Ashen and Boddhi Satva
Title: Universality
Release date: March 3, 2023
Label: Balanced Records
Catalog Number: BAL-58

Review: Finest Wear - Night Tales EP (Colour and Pitch)

Is it Detroit?  Is It Berlin? No, it's Oxford! Well, it was a couple of Saturdays ago when Finest Wear and Colour & Sound had their launch party at Frevd for the new EP called. 'NIght Tales'.

This is Finest Wear's follow up to his EP of earlier this year, 'The Concrete Shuffle'.  You'll find 'Night Tales' is still urban deep house but not all of it is about the shadowy recessess of a railway arch club.

The 3 tracks are very different to Finest Wear's remix of 'Sky Be Blue' (also on Colour & Pitch - see reveiw HERE) but there's definitely a connection with a weaving synth glow.

At first, you might think 'Push Me' is main room with heavy beats and misty vocals but it's really bouncy and addictive. This is going to be the way to finish off 2022 in a big way.

Similarly, 'The Buzz Dub' has the deep house keys that you love but with this 'hornet trapped in a jam jar' buzz - is it annoying? Yes, do you forgive him? Yes you do as this turns heads on the dance floor and gets everyone going. 

 

And sitting somewhere between these two tracks is 'Ket Corner' that's got that buzz (not the same buzz as 'The Buzz Dub') and gets more atmospheric with classic tech-house post Kraftwerk infulences.

This is the London based producers sixth EP on Colour & Pitch since early 2020 so you'd be expecting more soon, time for a retrospective/remix album? You'd have to 'Push Me' for that!

Buy / stream link: Finest Wear - Night Tales EP

And here's Will Sumsuch's session for November with details of gigs in Newcastle and Manchester this weekend. 

Colour and Pitch · Colour and Pitch Sessions with Sumsuch - November 2022

Artist: Finest Wear 

Title: Night Tales EP

Release date: 25th November, 2022

Label : Colour and Pitch

Catalog Number : CAP082

Launch Party Frevd in Oxford Saturday (5th November 2022)

Review: Linkwood - Stereo (Anthens Of The North)

Last year Linkwood released the LP ‘Mono' on  Athens Of The North so what do they do in 2022?  Yep, you've guessed it, the follow-up/companion release, ‘Stereo’.

And by odd co-incidence, Linkwood (aka Nick Moore) has got form working as a pair remembering Linkwood & Other Lands album 'Face The Facts' of a couple of years ago and the Linkwood & Foat album of the same name (all on Athens of the North).

He's taken 'Stereo' on a search to find deep house/techno islands on a lost synth pop 80s archipelago.

Some of the 12 tracks are very Detroit, some are reminisent of Tubeway Army and some are a bit of both (so you'll love to love, 'Love', 'Ping' and 'DipDab' that swoons like a space craft synth in a underpass) and you can't go far without a TransEuropeExpress ('Clusters' and 'Look-up') or a trip into space ('Flightpath').

The tracks on 'Mono' were sharp, punchy and generally shorter than 'Stereo' so whilst there's no extra extended "Ricardo Villalobos" length tracks, they do have space to breathe like the mournful 'Glow' and the post-ESG-tech-disco, 'We Had A Love'. 

If Linkwood is ever doing a live/DJ gig nearby, you'd be best advised to get your tickets early as 'Stereo' must sound even more incredible on a mega club sound system - definitely Funktion-One quality but in the meantime, give you ears a real treat with this new album. 

PS. I'd like to hear what Ricardo Villalobos could do with 'Look-Up', 'Love' or 'We Had A Love' as they would be even better as a longer versions; for that matter, where's Linkwood's extended 12" mix?

 

Artist: Linkwood

Title: Stereo

Release date: 25th November, 2022

Label : Athens Of The North

Catalog Number :  AOTNLP061

Format:  LP / Digital / Bandcamp

External Links:

XLR8R

Review: Chad Will - Sky Be Blue EP (Colour and Pitch)

You might be forgiven for thinking the label Head Honcho at Colour & Pitch has been sent to Coventry for their latest release 'Sky Be Blue' but remarkably, Austin, Texas is nearer the mark!

Chad Will first came to light by winning a remix competition for Danny Howells' 'Breath' and  since another life changing event, he's now putting his heart and soul (you could say, "literally") in his music production work. 

Strongly recommend checking out the links below to hear 3 great versions - or this months' Colour & Pitch Radio show with Will Sumsuch that went live this week. 

Each mix is great and can easily fit the main room or the backroom,  Does the orignal mix have a bit of 80s ESG vibe?  Either way, it just has the right level of good time blue sky dreaming moody cloud-synths.

Finest Wear (Nite Grooves, Nordic Trax) goes even deeper into the synth dream whilst New York's Sleepy & Boo get really bouncy synth for a loft / appartment / underground party in any direction heading out of Williamsburg (that's the Brooklyn one of course). 

Expect much more from Chad in the new year as this Austinite has a desire to get it out there.

li.sten.to/skybeblue

colourandpitch.bandcamp.com

www.colourandpitch.com

Colour and Pitch · Colour and Pitch Sessions with Sumsuch - October 2022

Colour and Pitch Sessions with Sumsuch October 2022

Artist: Chad Will 

Title: Sky Be Blue inc remixes by Finest Wear and Sleepy & Boo.

Single Release Date: 28/10/2022

Label:  Colur and Pitch

Format: DIGITAL

Review: Degrees Of Freedom - Time Won't Save You (1HX)

If you mention 'stunning house anthem' and start thinking of a golden age of Gilles Peterson's Talkin' Loud, jazzy MAW and Pete Tong's Radio 1 show, Degrees Of Freedom's 'Time Won't Save You' will confirm that nothing changes when it comes to classic house stunners. 

The duo of Isha Campbell and Charlie Bierman have managed to a Dr. Who seemlessly spanning the past to the future with original extended, instrumental and radio edit versions - but as the next incarnation will tell you, 'Time Won't Save You'. 

The only thing missing from this release is a Gerry Hectic extension; but that's only a matter of time, or should I say, imminent:)

Another winner from the label curated by the world famous Goldie.

Artist: Degrees Of Freedom

Title: Time Won't Save You EP

Release date: 24th October, 2022

Label: 1HX / Fallen Tree 1 Hundred

Cat. No: 1HX009

Format: Digital

Review: Q-Burns Abstract Message - QBAM RMX1 (Colour and Pitch)

The Colour & Pitch label has been a go-to source for ultra high quality melodic deep house since its inception, but their latest release steps things up a good couple of notches...and then some.

Having slowly developed an excellent relationship with self described “shadowy figure” Q-Burns Abstract Message, following his remix of their first release, the label’s gentle persistence in seeking new music from the Orlando based producer has paid off in fine style with this package of previously unreleased and unavailable re-works from Q-BAM’s elusive back catalogue.

After months of work tracking down artists and rights holders all of these previously hidden gems are now fully cleared, and have been newly remastered for this release – and there’s not a duff note in any of them.

First up is an excellent atmospheric and dubby rework of Church Williams’ “Touch The Sun” – sped up considerably from the original and ditching most of the vocal and piano, what we have here is a naggingly hypnotic piece that is hard to categorise (although it sounds like Summer) but very easy to love.

Track 2 is a deep and delicious rework of The Antirealist’s “Abscence” that is somehow brings elements as disparate as a classic reggae drum hit, Johnny Marr style shimmering guitars, analog synths and steel pan sounds together, binding them with a powerful but lazy bass line to create something that is – in my worthless opinion at least – nothing short of magical. Be careful what you’re smoking when you listen to this – you might not come back.

The wonderfully named Japanese Insanity’s track “The Lobster” is next for the Q-BAM treatment. I have no idea what the original sounded like, but this version is another hypnotic delight. Layers of sound coalesce to create another mini-masterpiece, with an arpeggiated key line providing an unavoidable brain-hook that will either entice you to dance or drive you insane – your call. Dubby explosions and sudden stops add to / release the tension as required. Brilliant.

Robert McCoy’s “Damascus” follows. It’s got a darker, deeper and more intense feel than the tunes that precede it, but with recognisably Q-BAM touches. Perfectly crafted, it sounds like 6am in the dark to me and it’s all the better for it, and the ethereal whispered vocals definitely help edge it towards creep out territory. Which is never a bad thing.

Mathew Scot’s “Trauma” as re-imagined here is a wonderful piece of work. Deep and just the right side of dark, it’s atmospheric, enveloping and twisted just enough to slightly mess with your head – in a nice way of course. A late night / early morning gem that sounds like you’ve known it forever, and one you'll be playing for the foreseeable.

So there you have it – a frankly excellent 5 tracker from an excellent label that is well worth your time and money. Please give both freely.

Review: Lay-Far - How I Communicate (Local Talk)

It’s always a pleasure to see a favourite underground record label evolve from releasing the odd 12” or EP to becoming a fully-fledged ‘grown up’ imprint releasing artist albums. Sweden’s Local Talk is one such label, gaining an international following for its off-kilter releases from Kyodai, HNNY, Fred Everything and others. I’m glad to say they’ve extended their distinctive music policy to their first few long players too.

‘How I Communicate’ is the second album from Moskow’s Lay-Far, an artist who’s been heavily hyped by those in the know over the last couple of years. For once, the hype is entirely justified. Critics and stores will probably put this record on the same shelf with the likes of Todd Terje, Crazy P and other ‘disco crossover’ acts, but although there are undeniable similarities, I’d argue that this record is subtly and essentially different. Why? Because Lay-Far isn’t pulling any creative punches. While the other two acts mentioned have a tendency toward the saccharine which makes them the dance music equivalent of ‘gateway drugs’, Lay-Far has struck a near-perfect balance between accessibility and authenticity.

From the warm, string-laden musical hug of ‘Like The First Time’ which opens the record, through the jazzy broken-beat / House crossover ‘Slope’ featuring Ashley Beedle, to the low slung deepness of ‘Submerging’, this album really has breadth. Supplying enough melody and variation to (hopefully) please a more mainstream audience, whilst retaining enough repetition and groove to satisfy the heads, Lay-Far’s balanced and elegant offering should serve as a lesson to us all on the difficult craft of album-making.

'How I Communicate' is out now, so go get it.

Review: Inkswel - Super Foods Vol. 3 (BBE Music)

The final installment in prolific Australian producer Inkswel's 'Super Foods' album series, this LP features exclusive remixes of the tracks from the previous two records, as well as exclusive new material. Simple, soulful music over crunchy, chunky beats define Inkswel's sound; a sound which is swiftly earning him fans from across the musical spectrum.

Highlights for us have to be the brilliant Kid Sublime remix of 'Flashing Lights' and the head-nodding 'Applause' which features creative NY hip hoppers Scienz Of Life.

As the label put it: "Sitting somewhere between deep house, boogie, soul and electronica, Superfoods Vol.3 takes the listener on a mouth-watering journey from head-nod to dance-floor and back again, all cooked up expertly by your Chef Du Party, Inkswel."

Super Foods Vol. 3 is out now via iTunes

Review Weedyman - “Kananga’s Revenge” EP (Paper Recordings)

There’s more than an even chance that you’re well aware of Weedyman‘s re-edit work and an even better one that you have a few Paper Recordings releases - but the forthcoming “Kananga’s Revenge” EP (released April 2nd) is the first time they've appeared in public together.  And it’s one hell of a way to start a relationship.

As Weedyman tells it, the impetus behind this release was a desire to create new music by working in a different way;  lead track BMBJ started as an exercise in programming bongos from scratch with a distinctly “played by humans” feel .  What hasn't been fully revealed as yet is how it then grew into the deep, gorgeous and sure to be massive chugging disco/ house monster that it now is. And it’s definitely going to be huge.

Second cut “Ondo Ondo Anda” is a prime piece of compelling, hook filled and hypnotic house with naggingly familiar elements that somehow manages to add layer on layer without ever becoming crowded or losing its melodic feel.  It’s another excellent cut that practically demands to be played out immediately.

Which could also easily be said about both versions of the final tune “Feel It”, which comes in “Original” and “Leon Sweet Double Drop Remix” flavours. Weedyman’s original version marries warm pads and a bubbling bass line with intricate percussion to create a great mid tempo stepper that ramps up a level when the vocal sample hits, followed by a subtle acid burble that gradually comes to dominate as the other elements recede. Leon Sweet’s “Double Drop Remix” (what can he mean?) strips things back a bit, adding guitar chops and a funkier but breezy feel that leads to a more insistent but still gentle acid take over - it’s going to sound equally ace in the sun or towards the end of a long night.

Incidentally,  Weedyman says the initial idea to create all this came to him on a train journey, possibly influenced by “listening to some Underworld and early 90s Dub House disco”...  Given the fantastic result, is anyone else up for chipping in to buy him a season ticket and a shed load of compilations?

Weedyman “Kananga’s Revenge” EP – Paper Recordings is released April 2nd 2015

Review: DJ Spinna - The Sound Beyond Stars: The Essential Remixes (BBE Music)

Spinna was an icon of the indie hip-hop scene who switched rides on an early lap some way round the course of his DJ/production career, and, if he hasn’t yet reached the finishing-line, has accumulated trophies already in the form of some sizeable dance hits. The biggest of those, his mix of Shaun Escoffery’s ‘Days Like These’ is inexplicably not on either of the two lavish double albums (one track per side apart from LP 1, side C, which has two) this comes as, though it IS found on the CD. That early release (and its immediate predecessor, ‘Space Rider’ which was particularly big in New York) immediately put Spinna up there with the big boys in the world of house, and he’s stayed there pretty much ever since. If there’s a better vocal record in the last few years, I’d like to hear it (and please post it to me via this site)!
 
A high proportion of the material here is also vocal, but there are a couple of deeper, techier instrumental  tracks to spice up the vibes (and one of those, his Acid Power mix of Karizma ‘The power’ seems to be exclusive to the vinyl). Anyone who likes their house music rooted in the black American tradition will find much to enjoy here, but don’t expect four sides of gospel-style wailing. The original material is quite disparate, but there’s a marked tendency for Spinna to work with bands, and tracks that start out more ‘musical’ in the first place. A Spinna sound, grooving and funky, but never ‘hard’,  unites all the material here. A few personal favourites: Louie Vega with Raul Midon ‘A Better Day’, like sounding like a 21st century Jose Feliciano.; Fertile Ground, ‘Live In The Light’ –fierce, spiritual – and Tortured Soul ‘Why’, deep and dark. This is a well-deserved first retrospective for someone that’s helping to keep alive a vital strain of our dance music heritage.

The Sound Beyond Stars is available on vinyl, CD and MP3 directly from BBE
Or via iTunes

Review: Robot Love - Senadee (Black Hole Recordings)

Sena "Senadee" Verdi returns with what could be one of his biggest tracks to date - and this is clearly the thoughts of one of the most prolific independent labels out there. Black Hole Recordings have this week released a superbly remixed version of his latest production"Robot Love". Founded in 1997 by Tiesto and Arny Bink, the label has been home to some of the biggest names in dance music over the years. Artists past and present include music royalty such as Ferry Corsten, Armin Van Buuren, Giuseppe Ottaviani, Andain, BT and Deadmaus to name just a few.

Identifying pure talent seems to be an ongoing trait for a label who's mission statement is "Captivate, Communicate and Celebrate" and this is no exception to the rule. Senadee has been prolific as a singer, song writer and multi-instrumentalist over the last ten years, which has seen him collaborate with the likes of John Askew, BT and Chicane. And it's not hard to see why. His lyrics are absorbing and endlessly threaten to open the doors to his inner most feelings. His voice is filled with raw emotion, and is more reminiscent of his indie/rock routes than the normal clear tones that are more often associated with dance music.

The Original Mix is an upbeat dance floor filler, permeated with catchy beats and a heavy 80's influenced, top line synth melody, which is offset by the huskiness of the vocals. This is further expertly padded out for the extended mix.

Swedish Grammy and Brit nominated producer Zoo Brazil's take on Robot Love, is a deeper, more haunting vision, fusing together woodblock, pipes and bass guitar undertones. The addition of echo and loops adds further mystique, while the distortion creates a feeling of foreboding.

Picking up the pace is Discover Records A&R Man, Lostly - who's production skills and remix expertise are gaining him Worldwide recognition from the likes of Armin Van Buuren, Aly and Fila and Indecent Noise. South Africa's premier dance music producer gives the track a 140 bpm facelift, using his signature synth accents - injecting an energy which will undoubtedly get this track airplay on the likes of ASOT and FSOE.

A further remix from Discover Records Peter Hulsmans, aptly entitled "Android Excursion" adds simple piano riffs and drifting synths, which enhance Sena's mode of expression, resulting in a beautifully uplifting trance classic.

With a World Premier of the video scheduled to air on VEVO on Thursday 30th October, and full release on Monday 10th November, this track will leave you in no doubt as to the calibre of the artists debut album, which is due out in 2015.

Tracklist:01: Senadee – Robot Love (Original Mix)02: Senadee – Robot Love (Extended Mix)03: Senadee – Robot Love (Zoo Brazil Remix)04: Senadee – Robot Love (Lostly Remix)05: Senadee – Robot Love (Peter Hulsmans Android Excursion)

Robot Love - Zoo Brazil Remix out now on Beatport
Robot Love  - Zoo Brazil Remix Video

Review: Karizma - Beats & Bobs Vol. 2 [R2 Records]

There are producers that feel the need to throw the kitchen sink at their tracks, smothering them in every effect and process imaginable. Karizma is not one of them. The latest in his Beats & Bobs series on R2 Records is remarkable for its infectious simplicity and stripped back grooves.

The opener “Klearkut” features a steady, bumpy afro-tech build overlaid with multi-textured percussive and melodic stabs and flows. A tough kick steers the track away from noodling territory and drive the simple melodies to a place where a subtle bass line and some unobtrusive squelches somehow add up to much more than the sum of this track’s parts.

The 10 minute “Earth These Beats” opens with a naggingly familiar old skool breakbeat and hypnotic, catchy stabs, rolling bumpily along through a series of nicely constructed breakdowns that will keep any dance floor on its toes.

All too often chefs ruin perfectly good ingredients by simply trying too hard. It takes skill and bravery to present a dish with a few simple ingredients, perfectly handled. But that’s exactly what Karizma has done with this release, and it’s refreshing to hear.

Beats & Bobs Vol.2 is out on October 27th.

Preview: Teysel - Continuous (Colour and Pitch)

Barcelona based DJ and producer Teysel takes centre stage for C&P’s 5th release. Inspired by underground Chicago and West Coast US house music, Teysel’s traditional, precise approach to DJing is reflected in his compositions. With an EP and several remixes released on German label EUN, he is now also finding his feet as a producer. Title track ‘Continuous’ represents a slice of simple, Berlin influenced, stripped down tech house, full of dark and brooding atmospheres.

Ahead of their forthcoming debut single on Colour and Pitch, Spanish production duo Aiby & The Noise make their entrance (and live up to the second half of their name) with a truly raucous remix of ‘Continuous’. Replaying the bass-line and adding some classic breaks, they transform the track into a growling behemoth; to be handled with caution!

Hailing from Czech Republic, residing in Brighton UK, A-Bee & Tom Vagabondo have released on countless labels both separately and together as The Lazyboys. Their remix of Continuous completes our package with a deep and mournful deep house journey, adding haunting spoken word and bleak, atmospheric synths.

Continuous is out now, exclusively via Beatport

Preview: RiCHARD.GEAR - Strange Magick (bodytalk)

RiCHARD.GEAR steps up for the bodytalk label's second release with his new offering, "Strange Magick". Founder of the excellent Whiskey Pickle imprint, Mr Gear is a regular fixture on the after-dark scene in his native Austin, Texas.

The title track combines some classic house sounds with insistent, discordant vocal samples to create palpable tension. This is proper after-hours material, with the added bonus of a lovely bouncing groove.

George Horn (Acryl Music, DeepWit) smooths out proceedings with his laid back, rolling remix. A warm bassline joins up to some subtle stabs, keeping the energy levels just right throughout.

The second track, "Be Free," has a much more stripped-down approach, featuring slow-building chords and a life-affirming vocal sample. A M.I.J.A.S. remix completes the package, upping the intensity with classic 808 drums, plus filtered chords and bass.

Overall this is a great release, with a mix for (almost) all occasions. Check it out right here:

Preview: Liquid Light - Human Condition EP (Blue Bass Records)

Sotiris Rinou, the talent behind Liquid Light is back with his latest EP Human Condition, which is being released on May 15^th on his own label Blue Bass Records. With a discography that stretches back nearly a decade, he has caught attention from the likes of Laurent Garnier, Hernan Cattaneo, James Zabiela and Anthony Pappa. 

The first track on the EP “Rephlex” has a minimal feel, pulling together the sound of the piano, male vocal samples and off beats. The synths quickly help change the direction, giving a much more upbeat funkiness. Track two, named “Come Together” is heavier, with some subtle yet effective beat changes that lead you down a different path without you realising how you got there. 

The third track named “Shake that thing” is my personal favourite and has incredible energy, with techno undertones, and the unmistakable sound of the bongo, that leaves you under no illusion that summer is nearly here and you should be appreciating this track whilst dancing on a Barcelona roof terrace. 

Finally “Until we meet again” is beautifully Euphoric, and reminds me slightly of the “Streets” classic Blinded by the light, but with less talking and more soul. I am looking forward to hearing the full EP on its release date, and know that one or all of these tracks will be grabbing the attention of many DJ’s throughout the next few months.

"Liquid Light" is out on May 15th on all major download stores.

Preview: Onur Ozman - Room To Dance EP (Onethirty Recordings)

The brilliant Onethirty Recordings are off to a flying start in this, their 10th year in existence, with a rather lovely release from Istanbul native Onur Özman.

As label boss Jevne puts it:

"Onur has been a sold player in Onethirty family since his first release "Not Enough" back in 2010, followed by "Hold On" in 2011 and "Broken Dreams" in 2012. His music has helped shape the Onethirty sound for years now! "Room To Dance" does not disappoint in staying true to both Onur's & Onethity's vibe! We are very excited to have this EP kick off the ten year anniversary, these are truly amazing tracks."

The package comprises three typically clean, bright slices of bouncy house music, plus a very pleasant moody remix of "Never Can Say Good Bye" from Fil Lavin.

The Room To Dance EP is out today exclusively on Beatport, and across all other stores on February 2nd.

Grab a preview here:

Preview: Gavin & Robbie Hardkiss - RetroactiveFuturisticPsychedelicFunkBump (Whiskey Pickle Records)

2013 was a bittersweet year for dance music lovers, scarred deeply by the tragic passing of Romanthony, as well as a true unsung hero of the scene by the name of Scott Hardkiss.

Not only was Scott an incredible producer in his own right, but back in 1997 he also created (in my opinion) the greatest Essential Mix of all time for Pete Tong's legendary Radio 1 show. The mix was a seminal moment for me as a teenager, acting as a beacon which drew me towards a lifelong love of the more spiritual side of dance music. You can listen to that mix and be transported (and transformed) right HERE.

Fast forward to 2014 and I'm delighted to hear that the remaining Hardkiss founders Gavin & Robbie have a new album in the pipeline. This is the second single from the forthcoming LP '1991', jammed full of retro flavours and fun(k).

"A slick slab of electro-boogie rhythms, the single features vocoded vox and a nasty bass that'll take listeners on an interstellar voyage from Cybotron to Planet Rock."

Remixers James Curd & Q-Burns Abstract Message are both on incredible form here, delivering tour de force versions, filled with inventive touches and positive energy.

Gavin Hardkiss himself completes the package under his Hawke moniker, creating one of the most unusual and original remixes I've heard in a very long time.

Release Date: February 10, 2013

Grab a preview here:



Label and Artist Links:
www.whiskeypickle.com
www.soundcloud.com/gavin-hardkiss

Preview: Never Knows feat. Qzen - Untitled 26 (Untitled & After)

An absolute treat of a single here from little-known San Francisco imprint 'Untitled & After'. Industrial electronic sounds with tinges of techno are the order of the day here, coupled with a beautiful vocal courtesy of Qzen, a singer whose credits include collaborations with John Tejada, 40 Thieves and many others. As with all the best tracks, 'Untitled 26' defies any kind of genre tag except our favourite one: 'damn good music'.

Japanese producer 'Birdcage' supplies the remix here; and it really is stunner. Simple emotive chords, scratchy percussion & wonderful use of the vocal makes this version ooze quality with every twist and turn. This is the first I've heard of 'Birdcage', and it's immediately inspired me to hunt down more of his work.

As the label notes so eloquently say: "If this single is the soundtrack to never seeing the sun then lots of people could be easily persuaded into signing up for this suspended in time experiment."

'Untitled 26' is released on all major download stores on November 5th.

Review: White Kite - So In Love EP (Deep Edition Recordings)

Deep Edition are swiftly (and deservedly) gaining a reputation as one of the most consistent labels on the scene. Launched three years ago in Newcastle UK, the label has brought founder Martijn and artists Graham Laverty & Michael McLardy to the fore, both as emerging talents and as tastemakers in their own right. 'White Kite' is a brand new project from Graham Laverty & Nicky Mann, and judging by this debut, we can't wait to hear more from the duo.

Mournful vocals, offbeat bass, hypnotic percussion and warm pads are the order of the day on the standout title track 'So In Love', creating a deeply satisfying vibe. A second, more dancefloor-centric original track 'Get Back' plus remixes from Martijn and Michael McLardy complete the package in fine style. It's refreshing to see a young label based around a small group of key artists, all collaborating and co-operating to build something unique and special. Deep Edition really is a family affair, and not the kind of family you'll see on Jerry Springer any time soon either.

White Kite's 'So In Love' EP is out now, exclusively on Beatport

Preview: pothOles - Hooni (Oh! Records Stockholm)

Fresh from his recent release on Roberto Rodriguez's 'Seranades' label, talented Finnish producer pothOles is back on Oh! Records with a pair of brand new tracks.

We've been fans of the mysterious Finn since day one, so it's fantastic to hear his sound developing in leaps and bounds. Title track 'Hooni' is a typically restrained, chilled slice of Suomi deep house, while 'Hatari' introduces a more insistent bassline and hypnotic groove.

With rumours of his own label launching soon, as well as tales of him recently being voted Helsinki's second sexiest man, one thing is for sure: watch out for pothOles!

The release is available now, exclusively on Beatport. Grab it HERE