This is one of those albums that, even in these globalized times, could’ve only been made in the UK with its distinctive musical melting-pot. From the first track, we’re given a taste of Fae’s diverse influences : her own vocals reminiscent of a hundred lovers rock singers from the early ‘80s, but also bringing to mind left-field artists from the ‘90s like Nicolette, while the underlying rhythm also combines an organic, roots reggae vibe with those dark, stoned trip-hop gestures that were such a feature of the musical landscape of her native London twenty years ago. Other tracks veer towards hip-hop, and there’s even a little jazz feel on track five, where you can really feel the interplay between singer and musicians.
If none of that sounds like anything exactly new, then, yes, you’re right –this is perhaps not the most adventurous, forward-thinking album the very eclectic BBE label have put ever out. What it is, is a solid set which they might find it difficult to fit into contemporary music marketing categories, but which will definitely find a home with some of the more open-minded and inquisitive music-lovers out there.
This is definitely an album put together by and for someone who feels she has something to say, both socially and musically. ‘Outropective’ suggests she is looking out at the world rather than inside her own head. Let’s hope the world is similarly inclined to notice her. Both classically and jazz-trained, according to the press release that came with our copy of this album, there needs to be a place for the Fae Simons of this world in an era when most music is put together through a computer programme.
Outrospective is available now via
iTunes
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