Review: DJ Spinna - The Sound Beyond Stars: The Essential Remixes (BBE Music)

Spinna was an icon of the indie hip-hop scene who switched rides on an early lap some way round the course of his DJ/production career, and, if he hasn’t yet reached the finishing-line, has accumulated trophies already in the form of some sizeable dance hits. The biggest of those, his mix of Shaun Escoffery’s ‘Days Like These’ is inexplicably not on either of the two lavish double albums (one track per side apart from LP 1, side C, which has two) this comes as, though it IS found on the CD. That early release (and its immediate predecessor, ‘Space Rider’ which was particularly big in New York) immediately put Spinna up there with the big boys in the world of house, and he’s stayed there pretty much ever since. If there’s a better vocal record in the last few years, I’d like to hear it (and please post it to me via this site)!
 
A high proportion of the material here is also vocal, but there are a couple of deeper, techier instrumental  tracks to spice up the vibes (and one of those, his Acid Power mix of Karizma ‘The power’ seems to be exclusive to the vinyl). Anyone who likes their house music rooted in the black American tradition will find much to enjoy here, but don’t expect four sides of gospel-style wailing. The original material is quite disparate, but there’s a marked tendency for Spinna to work with bands, and tracks that start out more ‘musical’ in the first place. A Spinna sound, grooving and funky, but never ‘hard’,  unites all the material here. A few personal favourites: Louie Vega with Raul Midon ‘A Better Day’, like sounding like a 21st century Jose Feliciano.; Fertile Ground, ‘Live In The Light’ –fierce, spiritual – and Tortured Soul ‘Why’, deep and dark. This is a well-deserved first retrospective for someone that’s helping to keep alive a vital strain of our dance music heritage.

The Sound Beyond Stars is available on vinyl, CD and MP3 directly from BBE
Or via iTunes

Review: TwelveBitMusic - First Flight EP (Colour and Pitch)

I have to be honest – I first listened to this EP from Finest Wear and James Hockley’s new project  on a dodgy PC system, with nowhere near enough sleep after playing a loud and banging 6 ½ hour set. To my surprise it sounded bloody fantastic – and it sounds even better today.

The whole EP is effectively a master class in production, mixing and mastering. It’s obvious that these are tunes that have been written and produced with a lot of care, and I dare say, love, and the mixes are perfectly structured for DJ play. Production throughout is as crystal clear as a mountain lake (and at least twice as deep) and every element is expertly placed and has plenty of room to breathe  which makes for a very refreshing and enjoyable listening experience.  Add the fact that all three cuts are as danceable as hell and there’s no question that this is a very special release.

My favourites of the three tunes are the wonderful “Don’t Use Me” – once the main riff kicks in (after an extremely DJ friendly intro) it really doesn’t let you go – and “Steady Rising” which has an edgier lead synth that, to me, gives it a little more urgency. Having said that, the warm and lovely “Lifted High” is in no way a filler, and I’ll definitely be playing all three of them – I think you should be too.

TwelveBitMusic‘s First Flight EP is the pure, melodic deep house that lots of producers currently claim they’re making – but unfortunately they’re mostly wrong. Not much else out there at the moment comes close to this. Essential.

Review: DJ Oil - Phantom (BBE Music)

A quick look at Discogs tells us that DJ Oil previously had a solo album out a few years back on Discograph, which totally passed this writer by. When I wondered why I realised I had pretty much given up on the trip-hop genre, which was so ubiquitous through the ‘90s and noughties, but fell off the radar as it became ever more ‘ambient’ and unchallenging.  Well, this release should have said radar beeping furiously, because it’s anything but soporific mood music. DJ Oil has definitely put the ‘hop’ –hip-hop’s urban grittiness—back into trip-hop, while the trip is all about our lives now, more often a nightmare than a hazy escapist fantasy. This impression is conjured by his inventive use of rousing spoken-word passages, field recordings and an array of cool analogue and digital effects.

It turns out DJ Oil, Frenchman Lionel Corsini, was part of The Troublemakers, an acclaimed group who (uniquely) had albums out on both deep house label Guidance and legendary jazz label Blue Note. That tells you something of his affiliations to African-American music, and it’s this rootedness in that musical tradition that really sets this apart from other contemporary downtempo efforts.  It has more to do with James Brown, Fela Kuti and John Coltrane than  it does the chocolate-box confections that had seemed to sound the death-knell of the trip-hop genre (we won’t name names because we’re sure you’ve nodded off to them all yourselves), and it’s hard not to see the Black nationalist rhetoric  as also a coded commentary on contemporary France in the light of recent events. This will keep its place in my boxes alongside contemporary downtempo beat-makers as diverse and brilliant as Madlib, Nightmares On Wax, Fredric Galliano and Boards of Canada.

Buy now via at iTunes: geni.us/DJOilPhantom
CD / Vinyl at: www.bbemusic.com

Review: Onium - Immix EP (Harmonious Discord)

Austin, USA. Capital of Texas. Home to SXSW, Willie Nelson, Google, Ebay and Harmonious Discord - a label that has "been the purveyors of offbeat melodies" for the last eleven years.  Created to provide a musical outlet for artists that defy convention, their latest release comes to us via Onium - also known as Stephen Moon. Onium first featured on the Discordian Dreaming Series. This however is his debut full length EP.

Well known for "pushing the edge", Onium flirts heavily with dub techno in this EP. Track One entitled - "He Breathes" feels dreamy and serene in the build up, with drifty synths that make way for a deep progressive baseline. Track two takes the baton and builds on to an edgy electronic euphony. Entitled "Opslo" and with three additional remixes, you certainly dont feel short changed! Up first, Echo Conscious brings us something a little more uplifting, with the introduction of cowbells, lighter melody and minimal distortion. This is offset by mucher darker, but equally stunning remixes from Bleupulp - which at times fools you into thinking that two tracks have been badly blended and Hemiptera - whose mix has a strong progressive feel to it.  "Sharing Light" demonstrates a much stronger techno influence as does the final track "Piped". The synths have a more sinister edge, with heavy echo and persistent bass lines, as in Breathe.

With a motto like "Cacophony at it's finest", this EP embraces it with both arms, although any harshness is quickly offset with a beauty that washes over you. It has cutting edge, creative production and I cant wait to hear more in the future from this forward thinking artist.

Immix is out now via Beatport and all good download stores.

Preview: Liquid Light - Human Condition EP (Blue Bass Records)

Sotiris Rinou, the talent behind Liquid Light is back with his latest EP Human Condition, which is being released on May 15^th on his own label Blue Bass Records. With a discography that stretches back nearly a decade, he has caught attention from the likes of Laurent Garnier, Hernan Cattaneo, James Zabiela and Anthony Pappa. 

The first track on the EP “Rephlex” has a minimal feel, pulling together the sound of the piano, male vocal samples and off beats. The synths quickly help change the direction, giving a much more upbeat funkiness. Track two, named “Come Together” is heavier, with some subtle yet effective beat changes that lead you down a different path without you realising how you got there. 

The third track named “Shake that thing” is my personal favourite and has incredible energy, with techno undertones, and the unmistakable sound of the bongo, that leaves you under no illusion that summer is nearly here and you should be appreciating this track whilst dancing on a Barcelona roof terrace. 

Finally “Until we meet again” is beautifully Euphoric, and reminds me slightly of the “Streets” classic Blinded by the light, but with less talking and more soul. I am looking forward to hearing the full EP on its release date, and know that one or all of these tracks will be grabbing the attention of many DJ’s throughout the next few months.

"Liquid Light" is out on May 15th on all major download stores.

Preview: Mesake feat. Indre Ju - Red (DeepWit Recordings)

We return from a long break between posts with a label who have had rather a long break between releases. Denmark's Deepwit Recordings are a favourite of ours here at You and The Music, so we are extremely excited to see them releasing new music again.

We're happy to report that their upcoming release by Lithuanian newcomer Mesake is completely and utterly true to form. Full of sublime atmospheric touches, sweet chords and delicate vocals from Indre Ju, the original version sounds like sunset on another planet...

Of the remixes, the ever reliable tONKPROJECT's version stands out a mile for us, jammed full of musical invention and emotion as per usual.

The release is out now on all major download stores- grab your copy here