Review: Chancha Via Circuito - La Estrella (Wonderwheel Recordings)

If the nearest you've got to the Argentine world/electronica/dance scene is the Gotan Project/Astor Piazzolla Remixed, here's you're chance to explore further and deeper with Chancha Via Circuito (aka Pedro Canale) with the release his fifth full length: 'La Estrella' on Wonderwheel Recordings.

Chancha Via Circuito has made a name for himself as the originator of electronic South American folk meets Cumbia dance and it's really seductive; like an Argentina Tango that's full of expression and warmth.

The eleven tracks are split between instrumentals and vocals tracks featuring Fémina ('Cometa'), Lido Pimienta ('Amor en silencio' that's more summer folk-pop with vibes), Meridian Brothers ('El pavo real') as well as Las Añez ('Ese peso'), Manu Ranks ('Ouh Lord ouh Dios') and María José Montijo.

'Comenta' was released as a single and I said then that it's an "Erotic garden of eathly delighs on a mountain temple" but 'El pavo real' even tops that as it's a proper slow dance in Cumbia-space folk-dub with a touch of vibe and wobble; with the beautiful vocals - who are the  Meridian Brothers? 'Ese peso' is nearly as good and both tracks would be great future singles.

I wouldn't like to give you this impression that this album is non-mainstream, like Manu Ranks's track as a downtempo reggaeton folk-stylee in a damp basement [Ed: that's mainstream?] and the almost Baile jazz-funk of  'El arbol y el hacha' featuring Moninja.

All this instrumentals shine, like opening track 'Dandeleon' (one for WUTMK), the walk in the rainforest 'Vedanta' and the closing track, 'Monolina' that shuffles and glides in dark alleyways. 

Chancha Via Circuito has come a long way since he was included on Daniel Haaksman's Funk Mundial compilation in 2009 with MC Pretinho 'Buçetao' [history update: I'm pretty sure I was at the UK launch of that album when Daniel DJ'd at Camden Stables with Dom 'Wah Wah 45s' Servini!] and even then, he was a bit off the normal 'Funk Mundial' template so this album is futher confirmation that he's forging his own musical path.

This is a great album that's varied and hypnotic all at the same time and it's about time the 'world' scene caught up with him. 

Artist: Chancha Via Circuito 

Title: La Estrella

Release date: 11th November, 2022

Label : Wonderwheel Recordings

Catalog Number : LP / Digital / Bandcamp

Review: Iron Curtis - The K.M.S. Years (Office Recordings)

I found the name of this EP a bit misleading, as K.M.S. refers to where the producer was living (Karl Marx Strasse in Berlin) not to Detroit techno legend Kevin "Master Reese" Saunderson's label KMS.  However, there is definitely the fingerprint of Detroit on this music--finding funk in the machines.  To be clear, this is not a funk EP--but the spirit of funk is evident. 

Diving into the tracks, "Magnet" is not very complicated, but sometimes simplicity is the disguise of genius.  It feels amazing.  Read that again, "It feels amazing."  Not the sound, not the arrangement, not the notes, but that ever-ephemeral element--feel.  The elusive difference between "repetitive" and "hypnotic" has been nailed by Iron Curtis.  That said, there are a few sonic surprises such as the super-syncopated introduction that seems to be fighting itself, yet works. It works in the same way that your body understands funk even when your mind doesn't; like when James Brown's grooves dance around "the one"--but it is never hard to find. Later there's the section where it sounds as though it's gone from a studio recording to an outside location, like we've gone for a smoke in the back-alley.  This is a great way of lifting the mood a bit before the insistent groove gets dropped on you again (which you are happy to receive!)  The take-no-prisoners kick drum says "Dance sucka!" and would make Sir Nose D'voidoffunk shake his rump.  Combined with the organ, piano, pads and perfectly-placed bass notes, this track has "classic" written all over it.

"What Happened Happened" is quite a bit murkier, but no less pleasant.  It's a bit like an after-club meal with friends where you don't remember the details, but the general feeling was good and you know something interesting went on because your friends always bring it up, but can't go into specifics.  The sounds are slightly distorted, the spoken word sample sounds pitched-down and kind of glitchy.  The bass & drum groove is solid and moves you along and the keyboard sounds have a dirty, but not dark vibe to them.  The "Berg Reduktion" of "…Happened" picks the mood up quite a bit.  It's less hazy memories and more cool party groove.  The  distorted and murky samples are still there, but the drums, bass and keys are a lot more upbeat.  Nowhere near as heavy as "Magnet," but well-balanced given the force of the A-side.

This one should work for terrace/lounges, bars and clubs and I think you're doing yourself a disservice if you do NOT buy this.  I expect to hear this one being played for years to come…

Office Recordings (OR04)
Format :  12inch vinyl / Digital
Release: 30.03.2015

Review: TwelveBitMusic - First Flight EP (Colour and Pitch)

I have to be honest – I first listened to this EP from Finest Wear and James Hockley’s new project  on a dodgy PC system, with nowhere near enough sleep after playing a loud and banging 6 ½ hour set. To my surprise it sounded bloody fantastic – and it sounds even better today.

The whole EP is effectively a master class in production, mixing and mastering. It’s obvious that these are tunes that have been written and produced with a lot of care, and I dare say, love, and the mixes are perfectly structured for DJ play. Production throughout is as crystal clear as a mountain lake (and at least twice as deep) and every element is expertly placed and has plenty of room to breathe  which makes for a very refreshing and enjoyable listening experience.  Add the fact that all three cuts are as danceable as hell and there’s no question that this is a very special release.

My favourites of the three tunes are the wonderful “Don’t Use Me” – once the main riff kicks in (after an extremely DJ friendly intro) it really doesn’t let you go – and “Steady Rising” which has an edgier lead synth that, to me, gives it a little more urgency. Having said that, the warm and lovely “Lifted High” is in no way a filler, and I’ll definitely be playing all three of them – I think you should be too.

TwelveBitMusic‘s First Flight EP is the pure, melodic deep house that lots of producers currently claim they’re making – but unfortunately they’re mostly wrong. Not much else out there at the moment comes close to this. Essential.

Review: Onium - Immix EP (Harmonious Discord)

Austin, USA. Capital of Texas. Home to SXSW, Willie Nelson, Google, Ebay and Harmonious Discord - a label that has "been the purveyors of offbeat melodies" for the last eleven years.  Created to provide a musical outlet for artists that defy convention, their latest release comes to us via Onium - also known as Stephen Moon. Onium first featured on the Discordian Dreaming Series. This however is his debut full length EP.

Well known for "pushing the edge", Onium flirts heavily with dub techno in this EP. Track One entitled - "He Breathes" feels dreamy and serene in the build up, with drifty synths that make way for a deep progressive baseline. Track two takes the baton and builds on to an edgy electronic euphony. Entitled "Opslo" and with three additional remixes, you certainly dont feel short changed! Up first, Echo Conscious brings us something a little more uplifting, with the introduction of cowbells, lighter melody and minimal distortion. This is offset by mucher darker, but equally stunning remixes from Bleupulp - which at times fools you into thinking that two tracks have been badly blended and Hemiptera - whose mix has a strong progressive feel to it.  "Sharing Light" demonstrates a much stronger techno influence as does the final track "Piped". The synths have a more sinister edge, with heavy echo and persistent bass lines, as in Breathe.

With a motto like "Cacophony at it's finest", this EP embraces it with both arms, although any harshness is quickly offset with a beauty that washes over you. It has cutting edge, creative production and I cant wait to hear more in the future from this forward thinking artist.

Immix is out now via Beatport and all good download stores.

Preview: Teysel - Continuous (Colour and Pitch)

Barcelona based DJ and producer Teysel takes centre stage for C&P’s 5th release. Inspired by underground Chicago and West Coast US house music, Teysel’s traditional, precise approach to DJing is reflected in his compositions. With an EP and several remixes released on German label EUN, he is now also finding his feet as a producer. Title track ‘Continuous’ represents a slice of simple, Berlin influenced, stripped down tech house, full of dark and brooding atmospheres.

Ahead of their forthcoming debut single on Colour and Pitch, Spanish production duo Aiby & The Noise make their entrance (and live up to the second half of their name) with a truly raucous remix of ‘Continuous’. Replaying the bass-line and adding some classic breaks, they transform the track into a growling behemoth; to be handled with caution!

Hailing from Czech Republic, residing in Brighton UK, A-Bee & Tom Vagabondo have released on countless labels both separately and together as The Lazyboys. Their remix of Continuous completes our package with a deep and mournful deep house journey, adding haunting spoken word and bleak, atmospheric synths.

Continuous is out now, exclusively via Beatport

Preview: Liquid Light - Human Condition EP (Blue Bass Records)

Sotiris Rinou, the talent behind Liquid Light is back with his latest EP Human Condition, which is being released on May 15^th on his own label Blue Bass Records. With a discography that stretches back nearly a decade, he has caught attention from the likes of Laurent Garnier, Hernan Cattaneo, James Zabiela and Anthony Pappa. 

The first track on the EP “Rephlex” has a minimal feel, pulling together the sound of the piano, male vocal samples and off beats. The synths quickly help change the direction, giving a much more upbeat funkiness. Track two, named “Come Together” is heavier, with some subtle yet effective beat changes that lead you down a different path without you realising how you got there. 

The third track named “Shake that thing” is my personal favourite and has incredible energy, with techno undertones, and the unmistakable sound of the bongo, that leaves you under no illusion that summer is nearly here and you should be appreciating this track whilst dancing on a Barcelona roof terrace. 

Finally “Until we meet again” is beautifully Euphoric, and reminds me slightly of the “Streets” classic Blinded by the light, but with less talking and more soul. I am looking forward to hearing the full EP on its release date, and know that one or all of these tracks will be grabbing the attention of many DJ’s throughout the next few months.

"Liquid Light" is out on May 15th on all major download stores.

Preview: Gavin & Robbie Hardkiss - RetroactiveFuturisticPsychedelicFunkBump (Whiskey Pickle Records)

2013 was a bittersweet year for dance music lovers, scarred deeply by the tragic passing of Romanthony, as well as a true unsung hero of the scene by the name of Scott Hardkiss.

Not only was Scott an incredible producer in his own right, but back in 1997 he also created (in my opinion) the greatest Essential Mix of all time for Pete Tong's legendary Radio 1 show. The mix was a seminal moment for me as a teenager, acting as a beacon which drew me towards a lifelong love of the more spiritual side of dance music. You can listen to that mix and be transported (and transformed) right HERE.

Fast forward to 2014 and I'm delighted to hear that the remaining Hardkiss founders Gavin & Robbie have a new album in the pipeline. This is the second single from the forthcoming LP '1991', jammed full of retro flavours and fun(k).

"A slick slab of electro-boogie rhythms, the single features vocoded vox and a nasty bass that'll take listeners on an interstellar voyage from Cybotron to Planet Rock."

Remixers James Curd & Q-Burns Abstract Message are both on incredible form here, delivering tour de force versions, filled with inventive touches and positive energy.

Gavin Hardkiss himself completes the package under his Hawke moniker, creating one of the most unusual and original remixes I've heard in a very long time.

Release Date: February 10, 2013

Grab a preview here:



Label and Artist Links:
www.whiskeypickle.com
www.soundcloud.com/gavin-hardkiss

Review: Vipul - Evolve (Wind Horse Records)

At the forefront of the emerging deep house scene in India, Wind Horse Records has consistently impressed from day one. This latest release features both Vipul & Hamza, the two producers who most represent the label's unique sound.

Vipul's title track 'Evolve' is a typically dreamy, spiritual slice of house music, full of emotional twists and turns.

Ross Couch's remix moves the track toward the dancefloor with a bouncey swagger, however the breakdown takes us into achingly beautiful, cinematic territory.

Label owner Hamza's version retains many elements from the original track, adding low slung beats, basslines and sublime piano chords.

Dutchie Music boss Juan Mejia takes control for the final remix, taking the original into even deeper waters, full of melodic fragments and dreamy arpeggios.

As the label notes say: "Overall, this evocative offering from Vipul shows his transformation isn’t merely ensuring survival as an artist, but rather gaining him higher ground with each new rung on the
hierarchical ladder. "

'Evolve' is available now on Beatport and all other major download stores.

Preview: Santiago Lopez - Red Sunset (Apollo)

Apollo is one of those labels which sticks to its aesthetic and artistic guns. While other imprints are frantically trying to switch their sound in a futile attempt to reflect whatever the cool kids are salivating over this week, Apollo is still floating serenely around in space without a care in the World...

In my book, this consistency of sound and vision, coupled with a seemingly constant supply of supremely talented artists who hardly anyone has heard of (yet), makes them one of the most important electronic labels around right now.

Their new release by San Francisco's Santiago Lopez is typically spacey, cinematic and evocative.

If you like moody music which gives you room to imagine and think- grab a hold of this one.

As the press release puts it: "Apollo is pleased to announce Santiago Lopez's three-track "Red Sunset" EP. Contemplative in nature, the triptych of tracks comprising "Red Sunset" are deep house gems that sparkle in their glowing surroundings."

The EP is out on December 12th exclusively on Beatport.

Review: Finest Wear - Distant Memories (Colour and Pitch)

The second release on Brighton-based label Colour & Pitch, "Distant Memories" makes it clear that the name of the label is more than just two words that look good alongside each other; this collection is full of vivid sonic colors and knows its musical pitches but doesn't take that as a point of pride.  The arrangements are well thought-out and interesting in a genre where that's not necessarily required anymore. In much house music these days a decent groove and a fat kick drum will usually suffice.

The term "intelligent dance music" was always silly-sounding, but the idea behind it was one worth aspiring to: tracks that still hold up as music when you're no longer in a dance environment. Finest Wear's work hits this target easily and without sacrificing any club "thump."

The opener, "The Storm" has the aforementioned elements and features spoken word describing the female vocalist's lover as the titular storm. This is followed by "For The Love" with dubbed-out vocal snippets reminiscent of a memory just beyond the point of clarity--yet definitely not forgotten.  "The Tribute" is up next and is probably the moodiest of all of the tracks with a full minute of strings and pads before any drum appears.  When the bass shows up in the arrangement almost 2 minutes into the track, the vibe is already pretty thick with pads and drums. Also at this point one may find involuntary bodily movement has commenced (also known as "grooving.") About halfway thru this number it begins to feel like a house party that has made that mysterious shift from beginning to "happening."

The closer is Sumsuch's refashion of the opening track, "The Storm."  Sumsuch moves the track in a jazzier direction--not any less rhythmic, just more complex harmonies and a bit more electric piano. There are also some subtle tech touches--just enough to sound slightly futuristic without going balls-out electro and balance out the jazz elements.

Folks looking to enjoy some butt-shaking and others looking for beautiful, yet bouncy electronic music have much to enjoy here.

'Distant Memories' is available now on Beatport , Traxsource , iTunes & Juno

Preview: Never Knows feat. Qzen - Untitled 26 (Untitled & After)

An absolute treat of a single here from little-known San Francisco imprint 'Untitled & After'. Industrial electronic sounds with tinges of techno are the order of the day here, coupled with a beautiful vocal courtesy of Qzen, a singer whose credits include collaborations with John Tejada, 40 Thieves and many others. As with all the best tracks, 'Untitled 26' defies any kind of genre tag except our favourite one: 'damn good music'.

Japanese producer 'Birdcage' supplies the remix here; and it really is stunner. Simple emotive chords, scratchy percussion & wonderful use of the vocal makes this version ooze quality with every twist and turn. This is the first I've heard of 'Birdcage', and it's immediately inspired me to hunt down more of his work.

As the label notes so eloquently say: "If this single is the soundtrack to never seeing the sun then lots of people could be easily persuaded into signing up for this suspended in time experiment."

'Untitled 26' is released on all major download stores on November 5th.

Review: White Kite - So In Love EP (Deep Edition Recordings)

Deep Edition are swiftly (and deservedly) gaining a reputation as one of the most consistent labels on the scene. Launched three years ago in Newcastle UK, the label has brought founder Martijn and artists Graham Laverty & Michael McLardy to the fore, both as emerging talents and as tastemakers in their own right. 'White Kite' is a brand new project from Graham Laverty & Nicky Mann, and judging by this debut, we can't wait to hear more from the duo.

Mournful vocals, offbeat bass, hypnotic percussion and warm pads are the order of the day on the standout title track 'So In Love', creating a deeply satisfying vibe. A second, more dancefloor-centric original track 'Get Back' plus remixes from Martijn and Michael McLardy complete the package in fine style. It's refreshing to see a young label based around a small group of key artists, all collaborating and co-operating to build something unique and special. Deep Edition really is a family affair, and not the kind of family you'll see on Jerry Springer any time soon either.

White Kite's 'So In Love' EP is out now, exclusively on Beatport

Preview: pothOles - Hooni (Oh! Records Stockholm)

Fresh from his recent release on Roberto Rodriguez's 'Seranades' label, talented Finnish producer pothOles is back on Oh! Records with a pair of brand new tracks.

We've been fans of the mysterious Finn since day one, so it's fantastic to hear his sound developing in leaps and bounds. Title track 'Hooni' is a typically restrained, chilled slice of Suomi deep house, while 'Hatari' introduces a more insistent bassline and hypnotic groove.

With rumours of his own label launching soon, as well as tales of him recently being voted Helsinki's second sexiest man, one thing is for sure: watch out for pothOles!

The release is available now, exclusively on Beatport. Grab it HERE

Preview: Mesake feat. Indre Ju - Red (DeepWit Recordings)

We return from a long break between posts with a label who have had rather a long break between releases. Denmark's Deepwit Recordings are a favourite of ours here at You and The Music, so we are extremely excited to see them releasing new music again.

We're happy to report that their upcoming release by Lithuanian newcomer Mesake is completely and utterly true to form. Full of sublime atmospheric touches, sweet chords and delicate vocals from Indre Ju, the original version sounds like sunset on another planet...

Of the remixes, the ever reliable tONKPROJECT's version stands out a mile for us, jammed full of musical invention and emotion as per usual.

The release is out now on all major download stores- grab your copy here

Review: Sumsuch - Simpatico (Colour and Pitch)

In a post major world, labels are launched so often that there's probably a profitable business out there for anyone with the ability to think up arresting and attractive names for them. On the other hand you *could* always make your label stand out from the ever-growing crowd by releasing stunning and innovative music. 

And luckily for us, that's what producer/DJ and now (once again) label owner Sumsuch has chosen to do.

"Simpatico" the debut release on his Colour and Pitch label (great name btw) is a frankly brilliant collaboration with Philadelphia vocalist Will Brock that moves the soul as well as it moves the feet - and trust me, this one is going to be a dancefloor filling stalwart in the days and months to come.... I've only heard the original mix so far, but tbh I'd be as happy as a pig on one of Brighton's rubbish strewn streets if it was the only mix that existed. Not least because it would lift me out of the mire and into the sunlight. Uplifting deep house? You'd better believe it. And you'd better buy it too...

'Simpatico' is out now, exclusively on Beatport. Grab your copy HERE

Review: Monsieur Minimal - Candy Face Remixes (The Sound Of Everything)

Producer and musician Monsieur Minimal has been creating his unique brand of accessible indie dance for around five years now, but is still relatively unknown outside his native Greece.

Hopefully this is all about to change, with this fantastic selection of remixes of his emotive and haunting new single 'Candy Face'. The original version can be found on his 2012 LP titled 'Minimal To Maximal', which is also well worth a listen.

Containing a massive number of remixes (9 in total), there is truly something for everyone in this package, with many shades of electronica and house represented, as well as something called ‘chill-wave’ (I'm getting out of touch in my old age it seems)...

Highly recommended: the sublime, sunkissed version by E Major a.k.a. Elias Tzikas, as well as the more club-oriented, powerfully emotional rework by Dimi Phaze.

The package is out to buy now via Beatport and all major download stores.


Check out the original version (and stunning video) here: