Sandman Project - Hamsa Remixes (Batov Records)

Lots of fantastic remix projects about at the moment and here's one not to be overlooked.

Batov Records have organised four different versions of 'Hamsa' by experts in their own fields as they take on the original track that's Mulatu Astatke of Ethiopia with a West African psychedelic rock vibe.

No. 1 for us is absolutely brilliant. This is usually the case with anything to do with Jessica Lauren and Emanative - typically in the Sun Ra meets Ethio Jazz.  We have to declare an interest as I've DJ'd with Emanative (aka Nick Woodmansey) way before the release of his critically acclaimed albums for Brownswood Recordings, Jazzman Records and Futuristica Music.  And he's not shy when it comes to remixes, (most recently, the far too short 'San Francisco Dance' for RE:WARM) and like any good DJ/producer/drummer/show-off he's reworked 'Hamsa' playing the drums himself and getting bests mate keyboard whiz Jessica Lauren to do a Farfisa solo plus Vince Vella adding an Afro-Latin kick, on congas, udu drums and other assorted percussion. 

Stunning I think you'll agree. But wait! What's this Ayala's Rhythm Mix?  Sticking to the theme but a bit more jazzy horn whilst the Koichi Sakai remix is Ethio with trumpet and housey keys that grooves then gets a little dubby sometimes and a little spacey too!  And not to be outdown in the spacey dubby groove, Italian DJ/Producer Woxow gets deeper into all aspects with some added spoken word 'thoughts'. 

Batov Records (they of Sababa 5 - see our review HERE) are getting in the party mood with this one and I'm expecting more of the same quality next year too!

Artist: Sandman Project

Title: Hamsa Remixes EP

Release date: 2nd December, 2022

Label: Batov Records

Catalog Number: Digital

Review: WAAN - KinK / Open (Sonar Kollektiv)

As jazz becomes more and more influenced with electronic instrumentals, there is an industry search for a new catchy post nu-jazz named genre.

Well, whatever the boffin's come up with, WAAN can safely be in it as Dutch duo Bart Wirtz (sax) and Emiel van Rijthoven (keyboard/electronics) meet up on this new release on the ever future forward German label, Sonar Kollektiv. 

The single is the start of the build up to the release of an album called 'Echo Echo'.  Joinded by Kasper Kalf (double bass), Jimmi Hueting (drums), Oscar de Jong and Lucas Meijers (both percussion), 'KinK' sounds familiar as Bart weaves his sax with the others.

'Open' has more 'jazz' in it as the Jazzanova thirst for 'The Space In Between' continues, this track being the opener on the new compilation, 'Sonar Kollektiv presents Neujazz Vol. 2' (did you see what they did there?)

It's an area that harks back to Eddie Harris' electrified sax to ENO to WeJazz to fee jazz experimentalists that is overseen here by co-producer de Jong (half of Kraak & Smaak) for a dance "jazztronica" [Ed. not sure about that one].

Artist: WAAN

Title: KinK / Open EP

Release date: 6th December, 2022

Label : Sonar Kolletiv

Catalog Number : SK447D Digital / Bandcamp

Review: Various Artists - Medusozoa Vol II (Tartelet Records)

Those of you that wanted more after Tartelet Records released their 'six of the best' series will be estatic that we've now got 'Medusozoa Vol II' coming out.

For a label reknown for finding new talent, this compilation 20 tracks is packed with a mix of old and new material from Glenn Astro, Henry Wu & Tito Wun, Jitwam, , Max Graef & Wayne Snow, Space Ghost and Uffe, and unreleased material by Nelson of the East and new to the label ABUNAI and Armin Tamzarian.

Mostly a "collection of introspective, downtempo and ambient leaning tracks for quiet moments" it ranges from the Glenn  Astro/Ajnascent Thundercat feel of 'Homespun' (you'll want this on repeat) to the nu-Nyabinghi of Uffe's 'Sunrise, Coffee and Cigarettes' and the low-slung funk of Modula's 'Cala Olivera'.

Founded in Copenhagen in 2007, Tartelet Records is run by Emil Margetli Nyholm and Frederik Bille Brahe and they've clearly got an ear for the leftfield which is easily hip and dancefloor influenced.  

In fact, the more you listen to the diverse comp, each track becomes your new favourite; who could resist Nelson Of The East's 'Tribe 92' or the oldest track on the album, 'Andre The Giant vs. Bob Sapp' by Henry Wu & Tito Wun of the 2006 EP, '27 Karat Years'.

Medusozoa Vol I was a mere 13 tracks so these guys have upped their game over the year and I suspect we'll here much more of them in 2023.  

Artist: Various Artists

Title: Medusozoa Vol II 

Release date: 30th November, 2022

Label : Tartelet Records

Catalog Number : Ultra Limited 12" Sampler / Digital / Bandcamp

Review: Kiko Navarro ft. Nader Behravan - You Take Over (inc. Osunlade Remix) (Afroterraneo)

This is absolute brilliant madness as the Baleraic beach is now an acid house vs. tai chi dancefloor.

Fans of Kiko Navarro will be aware of his 'Sounds Of My Breath' collaboration with Tai Gung/Qigong expert Nader Behravan (and Navaro fan) but the idea of Osunlade 'Yoruba Soul' remix has turned mantra of 'less is more' on its head(stand) pose.

There's seems to be a trend with acid at the moment with the new Hieroglyphic Being album 'There Is No Acid In This House (Soul Jazz Records) and, of course, our favourite 303 in you're disco with Daniel Wang's 'DSDN EP' (Paloma).  Any coinsidence, that Osunlade made his name at Soul-Jazz with his Yoruba Soul sound?

Nader is a perfect instructor but if you find his spoken word distracting there's an instrumental version.  Osunlade is not scared of it as he takes it fully on-board as he takes us on a smooth trans-euro 303-acid drop trip . 

Shame no Kiko Navarro Motor City Jazz Remix but perhaps it's in the pipeline.  Video's of Nader's breathing technique can be found on Kiko's web site for further enlightenment. 

P.S. Osunlade is also featured in the latest copy of FAITH, Winter 2022 vol. 3 #8

Artist: Kiko Navarro ft. Nader Behravan

Title: You Take Over (inc. Osunlade Remix)

Release Date : 25th November, 2022

Catalog Number : AFTNE052

Label : Afroterraneo

Format: 12" / Digital

1. You Take Over ft. Nader Behravan (8:31)

2. You Take Over ft. Nader Behravan (Osunlade Yoruba Soul Remix) (8:42)

3. You Take Over ft. Nader Behravan (Instrumental Version) (8:25) 

Review: Julie Pavon - Don't Call Me Out (Independent)

Here's something from Honduran/Danish artist Julie Pavon that I was just going to say Tartelet Records meets Grace Jones (the comparison also extend's to Julie's presence on the catwalk) on the prison disco landing and we find that the music is co-produced by Julie and Uffe (Tartelet Records, Blueberry Records) whilst Julie Pavon writes her own lyrics.

This is party season sharp - but where's the instrumental version?

Artist: Julie Pavon

Title: Don't Call Me Out Again

Release date: 25^th November, 2022

Label : Independent

Catalog Number : YouTube / Digital

Review: Finest Wear - Night Tales EP (Colour and Pitch)

Is it Detroit?  Is It Berlin? No, it's Oxford! Well, it was a couple of Saturdays ago when Finest Wear and Colour & Sound had their launch party at Frevd for the new EP called. 'NIght Tales'.

This is Finest Wear's follow up to his EP of earlier this year, 'The Concrete Shuffle'.  You'll find 'Night Tales' is still urban deep house but not all of it is about the shadowy recessess of a railway arch club.

The 3 tracks are very different to Finest Wear's remix of 'Sky Be Blue' (also on Colour & Pitch - see reveiw HERE) but there's definitely a connection with a weaving synth glow.

At first, you might think 'Push Me' is main room with heavy beats and misty vocals but it's really bouncy and addictive. This is going to be the way to finish off 2022 in a big way.

Similarly, 'The Buzz Dub' has the deep house keys that you love but with this 'hornet trapped in a jam jar' buzz - is it annoying? Yes, do you forgive him? Yes you do as this turns heads on the dance floor and gets everyone going. 

 

And sitting somewhere between these two tracks is 'Ket Corner' that's got that buzz (not the same buzz as 'The Buzz Dub') and gets more atmospheric with classic tech-house post Kraftwerk infulences.

This is the London based producers sixth EP on Colour & Pitch since early 2020 so you'd be expecting more soon, time for a retrospective/remix album? You'd have to 'Push Me' for that!

Buy / stream link: Finest Wear - Night Tales EP

And here's Will Sumsuch's session for November with details of gigs in Newcastle and Manchester this weekend. 

Colour and Pitch · Colour and Pitch Sessions with Sumsuch - November 2022

Artist: Finest Wear 

Title: Night Tales EP

Release date: 25th November, 2022

Label : Colour and Pitch

Catalog Number : CAP082

Launch Party Frevd in Oxford Saturday (5th November 2022)

Review: Linkwood - Stereo (Anthens Of The North)

Last year Linkwood released the LP ‘Mono' on  Athens Of The North so what do they do in 2022?  Yep, you've guessed it, the follow-up/companion release, ‘Stereo’.

And by odd co-incidence, Linkwood (aka Nick Moore) has got form working as a pair remembering Linkwood & Other Lands album 'Face The Facts' of a couple of years ago and the Linkwood & Foat album of the same name (all on Athens of the North).

He's taken 'Stereo' on a search to find deep house/techno islands on a lost synth pop 80s archipelago.

Some of the 12 tracks are very Detroit, some are reminisent of Tubeway Army and some are a bit of both (so you'll love to love, 'Love', 'Ping' and 'DipDab' that swoons like a space craft synth in a underpass) and you can't go far without a TransEuropeExpress ('Clusters' and 'Look-up') or a trip into space ('Flightpath').

The tracks on 'Mono' were sharp, punchy and generally shorter than 'Stereo' so whilst there's no extra extended "Ricardo Villalobos" length tracks, they do have space to breathe like the mournful 'Glow' and the post-ESG-tech-disco, 'We Had A Love'. 

If Linkwood is ever doing a live/DJ gig nearby, you'd be best advised to get your tickets early as 'Stereo' must sound even more incredible on a mega club sound system - definitely Funktion-One quality but in the meantime, give you ears a real treat with this new album. 

PS. I'd like to hear what Ricardo Villalobos could do with 'Look-Up', 'Love' or 'We Had A Love' as they would be even better as a longer versions; for that matter, where's Linkwood's extended 12" mix?

 

Artist: Linkwood

Title: Stereo

Release date: 25th November, 2022

Label : Athens Of The North

Catalog Number :  AOTNLP061

Format:  LP / Digital / Bandcamp

External Links:

XLR8R

Review: Monzanto Sound - Tomorrow, Tomorrow, Tomorrow EP (None More Records)

Last year we were excited about the release of Monzanto Sound's debut on None More Records, 'Time Lapse' EP, asking, "Where has all the post-punk-funk gone?" And even then, the tracks themselves were also neo-soul-jazzy and much more.  

This year, the EP 'Tomorrow, Tomorrow, Tomorrow', takes on this theme further as on  'The Letter' we take their ESG leanings to more Kraut-rock Can and the Erykah Budu vocals are, at times, an Dagmar Krause operatic avant-garde with space synths too!  Just stunning stuff.

And that's not all as 'The Fool' is the vocal version to the dub that appeared on Mali-I’s debut album 'In Session'. There's no foolin' us they go all reggae/dub; I'd recommend vocal/dub 12" which would be so cool, so come on None More Records!

'Nuff Blues' is just as radio friendly as a neo-soul blues-jazz-funk grooves can be and the 4-tracker is completed with 'Eja' (being in part a tribute to ‘Yemọja’ the Yoruba goddess of the sea).

"Where has all the post-punk-funk gone?" Monzanto Sound are so much more and have passed the 'Gilles Peterson approved' test by a distance.

Artist: Monzanto Sound 

Title: Tomorrow, Tomorrow, Tomorrow

Release date: 25th November, 2022

Label: None More Records

Cat. No: -

Format: Digital

Review: Yasuhiro Kohno + One - Song Of Island (BBE Music)

You may recall that the title track to 'Song Of Island' appeared on the BBE J-Jazz compilation Volume 3: Deep Modern Jazz From Japan 1969 - 1983 and in a collection of such "heavy... bop", this track was the odd-80s recording, sounding like the 60/70s with a  "touch of the spiritual". 

Pianist, leader of the trio + 1, Yasuhiro Kohno has the love and feel of a Hancock/Corea/Tyner as he controls the thrust of 'Song of Island' for nearly 11 minutes with the '+1' of Masahiro Kanno on vibes doing his best Milt Jackson/Gary Burton that you'd never know 1. this was an all Japanese line-up and 2. Recorded live on August 28th and 29th 1985 at "Live House Again" - no overdubs/no re-takes/just 'live'. 

A one off track you might think? Not on this album! All five tracks are pretty lengthy which is really great news in this case. If you thought you'd already heard enough versions of 'Love For Sale' that you'd never need to hear another in your life, stick with this as it swings with attitude (as someone might have said) and I'll say it, best version of the standard I'm ever likely to hear. And the perfect follow-on to the softer 'Time For Peace' before we get into the other two original compositions, 'Mr Nilson' (a little avant-modal blues walk at 13 minutes) and the best in the set, jazzdance head and feet at the ready, 'Village Festival' (12 minutes). 

Originally a private pressing (so rare as!), it's re-issued with original/translated sleeve notes plus a new Tony Higgins interview as well. Fans are already saying 'Corker ain't it !!' and it must be up there for re-issue of the year. Thank you everyone involved in making this happen, from original label ASCAP to BBE and the J-Jazz conception dynamic duo of Mike Peden and Higgins; you'll never be able to see Yasuhiro Kohno +1 at their 1985 peak ever again so this is the next best thing and yet another essential in the J-Jazz series - go Yasuhiro GO! 

Artist: Yasuhiro Kohno + One

Title: Song of Island

Release date : 18th November, 2022

Label : BBE Music

Catalog Number : BBE665

Format: LP / CD / Digital

Review: Small - Don't Leave Me In The Rain (RE:WARM)

Where do they find them? I mean where do you start looking for an obsure album that sounds, according to the label, "like a long-lost Frankie Knuckles LP or something like The Pasadenas"? Very good Re: Warm!

Well, unbelieveably South Africa is you're starting point and you're looking for a vocalist called Small along with the worst album cover you can think of for 'Don't Leave Me In The Rain'.

And that's probably the reason that it's so unknown as it's proto soul-house-boogie-pop.

The eight tracks have the drum programming of the time [recorded 1991] and it sounds like a hybrid of Odyssey's 'Going Back To My Roots'/Fleetwood Mac/Hall & Oats/Van Halen and let's throw in Shalamar all in South African pot that's absorbing hip-hop, Peech Boys NYC and Italo house. Is that's why Small sound so good?

It really is hard to think why 'Make My Life' and 'Let's Stop The Fire' were not international hits whilst 'It Takes Two To Tango' sounds like it should be cheese, "what's the matter with you" takes over the track and this climax of 'Without You'.  

Obviously, there's a pop hit with 'Make My Life' but mostly this is of its period and 30 years ahead of its time like the other finds on this label like Lucky Mereki and Bibbi (but they were mainstream house/disco by comparison), so don't snooze and get ahead of the game with this re-heated goodness; 'Keep On Trying' should be their motto and you'll be jumping for joy when you get this.

And doesn't everyone need a 'Happy Song' – let's think Christmas No. 1!

PS. Sad to hear of the passing at the start of November of Noel McKoy (RIP) "U.K.-based soul singer who performed with several U.K. acts including Nu Colours, The Pasadenas, the James Taylor Quartet, Snowboy, Sounds of Blackness, Steve Williamson and Linton 'Kwesi' Johnson"

Artist: Small

Title: Don't Leave Me In The Rain

Release date: 18th November, 2022

Label: RE:WARM 

Cat. No: RE:WARM 010

Format: LP / Digital