Review: Palm Skin Productions - Trickle Up EP (Tru-Thoughts Recordings)

Wow! Hard to believe that we've had two tracks of the year in March already, and this EP has at least one of them!

And if Bill Brewster (Last Night A DJ Saved My Life, Grimsby Town FC) says, 'Trickle Up' is a "monster tune", we're not going to argue with him or this mate, Harry the Haddock (who's been big in the news this week).

The title being the antidote to bull shit A-level economic theory that it comes from is brilliant from the stuttery intro to the acid soaked shuffle right up to the end (check the cover artwork for the heritage to this track).  The press quote that comes with this release is, “Trickle Up' is a celebration, a paying forward, a reminder that we can help each other elevate. The trickle of small actions by everyday people, building to a torrent of change.”

Not content with that, the EP comes with another homage with 'Back To Detroit' with the deep throb house and spoken word style that we know and lov.e

If it wasn't for those two tracks I'm sure I'd be raving away (no pun, etc) about the dreamy 'Stealing The Sunset' with a 'rockstar' bassline and/or 'Du(m)b Witness' which is so good you might think Adrian Sherwood had his fingers on the knobs with Biggabush orchestrating the proceedings; du(m)b it is not!

If you remember Palm Skin Productions (aka Simo Richmond) from his Mo'Wax days or even The Bays (I saw them once with Roots Manuva!), these are four big tunes on a big EP and it's ready to take on the 2023 dancefloors.

Artist: Palm Skin Productions

Title: Trickle Up EP

Release date: 2nd March, 2023

Label : Tru-Thoughts

Catalog Number : TRUDD509 Digital / Bandcamp

Review: EMAMKAY - Sense (STY TRU BTS)

We know from the release of 'When The Sun Rises' last month that Kid Fonque has got his finger on the new talent that is coming out of South Africa, specifically, Pretoria's EMAMKAY.

Like 'When The Sun Rises' (review HERE) still into his inner D'Angelo/Dilla/Flying Lotus with that added bonus of the backing 'jazz' band, the Sounds Like U Quintet: Jeffery Mahachi (d), Michael Nkuna (trumpet) with Bokang Ramatlapeng on vocals and EMAMKAY (MC/piano/keyboards).

It's very Futuristica Music with echoes of Dwele and Roy Hargrove (RIP) on the 'Golden Era' Maida Vale sessions with DJ Gilles Peterson.  

Yes! It's that good and it make sense (in this crazy world).

The forthcoming album 'Love Is Energy' is due at the end of March and if the other tracks are as cool as what we've heard so far....

Artist: EMAMKAY

Title: Sense

Release date: 3rd March, 2023

Label : STY TRU BTS

Catalog Number : STB21 / Digital / Bandcamp 

Review- Rise Ashen and Boddhi Satva - Universality (Balanced Records)

Like many people, I haven’t always understood House music. However, I do understand spiritual things and soul things. Not “understand” in the sense of intellectual knowledge, but in the sense of having experienced them, knowing how it feels when they happen.

Some of my earliest memories are of music in a spiritual context—people coming together in celebration of the universal, transcendent unknown. We only have metaphors to help us grapple with its vast, incomprehensible greatness. The dancing, clapping of hands, closed eyes and electric joy shared among the gathered as the outward expression of music taking us to another plane beyond everyday existence.

Boddhi Satva and Rise Ashen invoke this same space beyond any divisions we normally allow to separate us in “Universality.” That is, House music as “church” or “ritual.” Boddhi vocally encourages us to step beyond boundaries we think of as our identities, while his music with collaborator Rise Ashen slips past our conscious mind with its hypnotic rhythms plus warm, enveloping bass and coaxes us to sway, possibly put our hands together to keep time and even shut our eyes to “tune in.”

This is Spiritual House in its truest sense, music that connects one’s spirit to a ritual reminding us of the universality of our being as a species. Hopefully it could also help you understand House music—if you don’t already.



Artist: Rise Ashen and Boddhi Satva
Title: Universality
Release date: March 3, 2023
Label: Balanced Records
Catalog Number: BAL-58

Review: Ursula 1000 - The Glass Dragon (Insect Queen Music)

Remember when DnB was fun?

Ursula 1000 does and is bringing the vibe back! Mainly known for his loungy/future-retro vibes these days, he’s going back to his roots as an early 90s junglist. Breaks mixed in with the DnB stepper beat and a “Tough at the Top”-style double bass handle the aforementioned drum and bass parts. In addition he’s sprinkled in some ragga plus Kung-Fu elements to keep it fun--along with being groovy.

The single is the first release of 2023 on his Insect Queen imprint and has an instrumental included. Production is top-notch, the cover art is on-point, the only thing missing is an explanation of who or what the Glass Dragon is… But that’s for you to figure out. I can’t tell you—I don’t know! Another dance music mystery for us to puzzle over.

8DPromo · Ursula 1000 - The Glass Dragon (Insect Queen Music)

Artist: Ursula 1000
Title: The Glass Dragon
Release date: March 3, 2023
Label: Insect Queen Music
Catalog Number: IQ040


 

Review: David Walters - Soul Tropical (Heavenly Sweetness)

There's only on thing we love more than a David Walters release on Heavenly Sweetness and that's brand new 13 track album by David Walters on Heavenly Sweetness. 

This is so summer hot, like his other two albums on the label, we've got a few top name guests, Walters' style of Afro-Caribbean and Anglo-française vocals. 

The BIG track in the most Fela-like 'Jodia' that's got enough for the flute gang, a trumpet solo and a 'tribute' to 'Wade In The Water': did you hear me?  He slips into  'Wade In The Water'!

At the other extremes, the opener features label mate K.O.G. (see review of 'Zone 6' HERE) and I think they're going to pick this one as a single for it's summer love groove, there's the disco synth funk of ' No One' as a Captain Planet edit and Afro-spaceship poet Anthony Joseph and La Reyna get bass-deep on 'Toxic Tropic'.

The title track is clearly aimed at mass market french speaking radio and it's an easy cross-over to the dancefloor (think we'll be hearing this one regularly this summer) and 'Light' seems like his homage to Bob with some classic reggae 60s organ sounds and an I-Threes sounding backing.

The even higher highlights are the two tracks featuring Ballaké Sissoko & Vincent Segal, 'An Lot Soley' (this is particularly beautiful) and 'Klè' with the house funker. 'Don't U' (watch the remixers band on the door to do this one - but for now, this is going on the dancefloor chart as it'll turn heads) and jazz-dancers at the ready, 'Night In Madinina'.

David is such a talent (Singer, multi-instrumentalist, DJ, remixer, composer and TV host!) there's no chance this isn't fantastic but we're talking ever track!; 'Soul Tropical' is Mr. Walters own WOMAD genre. 

Artist: David Walters

Title: Soul Tropical

Release Date : 3rd March, 2022

Catalog Number : -

Label : Heavenly Sweetness

Review: Si Tew - Quietude (Atjazz Record Company)

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Fans of the earlier single have been looking foward to his album and 'Quietude' by Si Tew does not disappoint. 

Atjazz Record Company knew that they were on a winner after the reactions to the release of 'UIHIA (feat. Georgia Copeland)' and 'Logos' [see HERE].

And there's another track that's a potential single with 'Lean on My Frequency' that features the vocals of Sarai Jazz and pecussion of Greg Rawson and this could genuinely cross over to radio hit playlists. 

The rest of the album's ten tracks are largely instrumental in a cinematic trip hoppy beats way ('Dudz') which can flip into downtempo dance/dreamscape house ('Turbine', 'Bouricau' - is that a Glockenspiel/Bell Lyre from a marching band in there?)

Not surprisingly for an album on Atjazz Records, there's some deep/leftield house like 'Droplets', the already massive 'Logos' (summer party sessions ready this one) and whilst on the beach, there's the funky Balearic 'An Apology'.

If you think you can hear a touch of South America influences, most notably on 'Roshinaya', 'Droplets', 'Particle' and another big tune, 'Trurbine', you'd be right as Si composed most of the album whilst he was on "tabletop mountains, deep within [the] jungles" of Venezuela (great artwork too!).

Atjazz are on a bit of a roll at the moment after the release of South Beach Recycling's 'Obsessive Compulsive Disco' (review HERE) that are both essential for 2023.

Artist: Si Tew

Title: Quietude

Release date: 2nd March, 2023

Label : Atjazz Record Company

Catalog Number : ARC200AD Digital / Bandcamp

South Beach Recycling's ' Obsessive Compulsive Disco' (reveiw HERE) and is he calling for a "Doctor, Doctor" over that jazzy organ? I dunno, but it's got me the dancin' pain relief I need from wearing these shoes.

We were so excited to hear news of this EP by Wearing Shoes, I just had to play the title track 'Never Pretend' on the 'love' edition of Andy Garvey's Delectabeats radio show. 

Not only that, 'Never Pretend' is backed up with two more killer tracks,  'Over The World' is current favourite as it's odd as I'm hearing "Roy Ayers" but no vibes; is that possible?  And 'Daily Stuff' which has a little Theo Parrish (a bit like a smooth version of 

South Beach Recycling's ' Obsessive Compulsive Disco' (reveiw HERE) and is he calling for a "Doctor, Doctor" over that jazzy organ?  I dunno, but it's got me the dancin' pain relief I need from wearing these shoes.

You can tell that this guy loves the house of pioneers like Frankie Knuckles as he's also into it's the same soul-jazz-funk history, in additon to Roy Ayers, you've got Lonnie Liston Smith to TSOP (The Sound of Philadelphia), .

When folks casually say, "walk a mile in my shoes", here's the place to start - and I for one say, lets have more from F*CLR [pronounced F.Star.Clear].

Artist: Wearing Shoes

Title: Never Pretend EP

Release date: 27th February, 2023

Label : F*CLR Music .

Catalog Number :FCLR019 / Digital / Bandcamp

Review: WAAN - Echo Echo (Sonar Kollectiv)

WAAN's debut album is out this month as Bart Wirtz (sax) and Emiel van Rijthoven (keys) realize their dream that's been 5 years in the making.

You'll recall 'KinK' and 'Open' from late last year, (see YATM review HERE) and now we've got the other eight tracks to make up the album 'Echo Echo' (so good, they named it twice - Ed. you can say that again).

Strongly recommend checking the bandcamp link below as there's also a video of 'Omi' recorded live in the Eminent Studios.

You may have heard this tracks as tastemakers like DJ Gilles Peterson, Mr. Scruff and our very own Will Sumsuch  have taken these guys to their hearts/DJ booths as it's very modern jazz-funk, like Floating Points, a mellow BadBadNotGood, or a slim Weather Report as yet can bet both Bart and Emiel are big fans of Joe Zawinul and Wayne Shorter; particularly on a track like 'Chivat' even with its a bit of bruk in it (a track that apparently evolved out of a band jam!) 

And the more you listen to this album, the more you hear (is that 'spray can' percussion on the alt. version of 'Chivat'?) and the better it gets.  Like the jazzy 'Lost', the "out-there" '1974' which they've made sound a bit big band electronic (ohhh, don't you just love the 70s - definitely could be TV theme music with that racing synth) and the funkier 'The Cricketer' that's more Death Wish Herbie in Swinton (where 'The Cricketer' Public House is!) with Jason Swinscoe serving pints.

Talking TV/FIlm themes, 'Frequence' is where they trail the suspect in the mean back streets, at night and it's raining whilst 'Hard Cane Bone' is like a confluence of all that's gone before.

Mixed by Oscar de Jong (he of Kraak & Smack) at Kraak & Smack's studios, its nothing like Kraak & Smaak as there are more likely to be comparisions with other recent albums like Urbs' 'Geheimland' or Conic Rose's 'Heller Tag' [Austria vs Holland vs Germany on three different German labels] but you'll want to get all.  

Sonar Kollectiv's founders, Jazzanova, have recently been on "holiday" with BBE's latest release, review HERE), WAAN, the Dutch for "delusion" fly the flag for modern nu-jazzness that is anything but delusional.

Live Dates:
23.02. – NL, Nijmegen, Brebl
24.02. – NL, Amsterdam, Bimhuis
10.04. – NL, Oosterhout, Theater De Bussel
27.05. – NL, s'Hertogenbosch, Jazz in Duketown 2023

Artist: WAAN

Title: Echo Echo

Release date: 24th February, 2023

Label : Sonar Kolletiv

Catalog Number : SK450D Digital / Bandcamp

Review: Antti Lötjönen's Quintet East - Circus​/​Citadel (We Jazz Records)

For some reason, the second Quintet East album on We Jazz Records sounds even more 60s New York than the elite of the jazz scene Don Cherry/Ornette Coleman/Albert Ayler et al.

Lead by bassist Antti Lötjönen with Verneri “'the Miles Davis of the north”  Pohjola (trumpet), Mikko Innanen and Jussi Kannaste (saxes) and Joonas Riippa (drums) we're talking the top ranked Helsinki jazzers.

The title track, 'Circus/Citadel' comes in three parts. Inspired by a poem by the Romanian-born German-language poet Paul Celan (1920–1970) this explores the idea of “circus” and “citadel” in this confused world we find ourselves in. 

Part II has a jocular circus element in it which is not always evident in the avant-garde jazz genre before Part III gets a bit more experimental without going the full clown; perhaps closer to the Art Ensemble of Chicago at their best.

These 'themes' continue in the other tracks where you can get part melody's from nursery rhythms to hard bop swing; particularly 'Defenestration' – pop goes the weasel as they say.

Alyer's military period gave him a feel of the marching bands which he like to use in the funeral march blues and these guys also dip their musical toes in this citadel on '(for) Better People' which could be a homage and 'It Goes On' that showcases Antti's bass playing.

That said, this is a proper Quintet set of tracks and very We Jazz.

And if you happen to be in Helsinki this summer don't forget the Odysseus Festival on 21-23 July that will include many of your We Jazz favourite acts including the Valtteri Laurell Nonet!

Antti Lötjönen Quintet East LIVE
27.4. April Jazz Festival, Espoo FI (album release gig)
21.7. Odysseus Festival, Helsinki FI
 

Artist: Antti Lötjönen's Quintet East 

Title: Circus/Citadel

Release date: 24^th February, 2023

Label : We Jazz Records

Catalog Number : WJLP44 / CD / Digital / Bandcamp 

Review: Natalie Duncan - Silver Gun (w/ Lenzman Remix) (Fallen Tree 1Hundred)

If you've recently seen Natalie Duncan at any of her recent live gigs (and no doubt, gigs in the future) you'll recognise 'Silver Gun' as one of her stand out tracks that showcase her vocal talents; having been compared to Nina Simone and Alicia Keys in the past.  

In truth, on 'Silver Gun' she sounds more like Natalie Duncan with a production that's like a tight Cinematic Orchestra. And on that subject, many readers with a good memory will recall the name of drummer Richard Spaven who has worked with Incognito, Robert Mitchell 3iO, Tom Mason, Deborah Jordan, Phil France (Cinematic Orchestra) and loads more.  Apparently it was his drum styling that focused Natalie on her inner "Radiohead" to produce 'Silver Gun!  

And on the subject of drums, the single comes with the Lenzman d'n'b remix (vocal and instrumental versons); it is Goldie's label after all.  Based in the Netherlands, he's said to specializes in the soulful end of the D'n'B genre and Natalie's voice and piano remain prominent in the mix.  

Getting back to the original version, must also mention the rest of the band, being Alan Mian (bass), Laurence Jepson (synths/programming), Rashaan Brown (guitar) together with producer/engineer, Chris Hewitt.

Last year we had the single 'Found Myself' with a remix by Tru-Thoughts' WheelUP so this keeps up the momentum for a new album.

Artist: Natalie Duncan

Title: Silver Gun (w/ Lenzman Remix)  EP

Release date: 24th February, 2023

Label: Fallen Tree 1 Hundred

Cat. No: FT1H020

Format: Digital / Bandcamp