North African house from Moroccan DJ/Producer Omary meets Keyan DJ/Producer Saint Evo that features to vocals of Morrocan singer Meryame, finds up absorbed on the dancefloor with 'El Amal'.
You'll remember the last release on the label, SMALL F and Thabiso Vocalist's 'Remember Me' (see review HERE) or last year's collaboration between Omary and kawtar Sadik on 'Maktoub' with Amine'O on the remix which kind of links all the Mediterean/North African house with the (ethnic) flute gang.
There seems a renewed interest in Morrocan influences from DJ Bob Hill (Illicit Groves half-term break session) to Shay Hazan's 'Wusul) (see review HERE).
BBE have done it again as the lady of house, Lady Alma, is joined by Kenny Bobien on Marley Marl's gospel classic, 'Joy (Hallelujah)'.
Can you call a tune that's just come out 'classic'? Well, when it's full of classic elements like this one - big vocals, silky backing vocals, pounding beats, lucious strings and a organ on the edge - that's all wrapped up in a hands in the air way; I'd say it was justified.
Come in extended orginal and radio edits with instrumentals, this fits in so well with the recent muscelcars releases on the same label (see review HERE) and Soul Liberation (see review HERE) to pick on just two.
This is pure JOY! for the ears, everday - let me hear "Hallelujah"!
Artist: Marley Marl feat. Lady Alma and Kenny Bobien
If you're in Portugal this spring and after some jazzy funk groove, look out for the Casa Bonita as they tour their album, 'Casa Bonita'.
Very much is a 70s disco jazz-funk groove, this intrumental 10 track album will bring back memories for some and a renewed thirst for crate-digging synthy grooves.
That said, if's got the fresh modern production values that Azymuth's Far Out Recordings have along with influences of Herbie Hancock and old skool London groove (Surface Noise, Level 42 etc) and current trendy, Andre 3000.
Very much ready for sun, beach and pool parties as the tracks have a Latin-jazz DJ feel to them; "What's this track mate?" I can hear you say - it's off the new Casa Bonita album! Especially, the spicey 'Sambal' and 'Vongole' but if you're after some laid back rain forest action, 'Vian' is cool and a bit dubby balearic.
Great find this much cheaper than some long lost Brazilian jazz fusion LP on Camden Market that's probably only got one good track on it; Casa Boita is a big 10 out of 10.
Live dates Sala Lisa, Lisbon Portugal - Feb 2 Madalena, Faro Portugal - Mar 1 Collect, Lisbon Portugal - Apr 16 (live session) TBA, Portugal - Apr 19 TBA, Portugal - Apr 20
Artist: Casa Bonita
Title: Casa Bonita
Release date: Vinyl Spring 2024 - Digital 26th January 2024
Label: Aquário Records Cat. No: - Format: Digital / Bandcamp
Ostowana is a record label that focuses on African and Middle Eastern culture and artists who promise to provide a wide variety of artists and an array of music; and you definitely get that from Small F and Thabiso Vocalist on 'Remember Me'.
Following on from the previous Small F release from the end of last year, 'Kayhal EP' (definitely check out 'Clouds') this London-based Morocan DJ has teamed up with South African, Mr. Vocalist for a more African house vibe to remember them by.
As Ostowana approach their 50 release, we're definitely looking forward to that and checking out more of their back catalogue.
Marc-Antoine Perrio's name might sound like he should be in a list of Michelin star chefs or the Italian mid-field, but this musician is looking at escapism in a musical form on his new album.
Multi-instrumentalist/composer Marc-Antoine Perrio 14 track album covers a fusion of R&B, jazz, ambient, cinematic, classical and, at times, dreamy rock guitar.
Sometimes these influences merge, like the track 'Veneza' (featuring Claude Violante) and at others, they absorb like the beautiful 'Mon Coeur' (feat Elise Preys) which is a cinematic meeting of a sleepy Tundercat and early Cinematic Orchestra ('Overnight II' is the one to pick-up for this end of the spectrum).
Sometimes it can get a bit proggy ('Peace Over') or R&B/Pop francaise ('Flash the other track that features Elise Preys) and at the other extreme, classically inspired OST ('Fenêtre ( No3)' being the most obvious example). And then there's the radio friendly 'TTOO' (featuring ABS) and the krautrock inspired 'Cyclp Musiq' which could have been longer to get the full effect.
So it's kinda disjointed whilst at the same time being fluid and I love that there's an 'answer' track on the same album in 'Post Mon Coeur' (featuring Adrien Soleiman; another multi-instrumentalist) and interludes to keep with the OST/library theme; watch out for 'IE Prologue (When Dust Storm Becomes Mountain)' to shatter the mood as it's in total contrast to 'Ripere'.
If you're into the ENO ambience there's a "hidden track" but there's not much more you can cram into this release but is that what his escapism is all about? If music is the healing force of the universe, here's a little help to heal, 'till you live forever.
Artist: Marc-Antoine Perrio Title: Escapist: Heal, 'till You Live Forever Release date: 29th February, 2024 Label : Noble
When you think of acorn falling and trees of a musical kind, you've got your multiple Wainwright family, Steve and Hollie Cook and now, re:ni (aka Lauren Bush) and her drum/percussion obsessed Dad, Glyn 'Bigga' Bush.
I mention the Bush history with drums (whether it be Magic Drum Orchestra, the reggae/dub of Ligntning Head,the house side of Rocker's HiFi, the prog The black Albumen or even the variety on his 1BTN show, Bigga's Big Dig), as the Timedance varient is very much darker coming out of the shadows of post-dubstep dark electronic d'n'b.
The four tracks kick off with 'BURSTTRAP' that's possibley trap on a dancehall dub trip which kinda sound Krautrock?
There's definitely some techno/trans europe express/warehouse to 'Below Sanpaku' and definitely some heavy industry assult on 'BeautySick' (that's Dad's favourite) whilst 'Blame is the Name of the Game' is more a mix of all the above with a gamelan-electronic tendancies.
re:ni was mentioned in our big interview/catch up with BiggaBush (see HERE) and she does a monthly radio show, 'RE:LAX' with Laska on NTS (next 3rd March - see HERE) for more "Forward-thinking sounds from across the bass spectrum".
Artist: re:ni Title: BeautySick Release Date : 23rd February, 2023 Catalog Number : Timedance 032 Label :Timedance Format: 12" / Digital / Bandcamp
New York flute gang gets 'Ha Ya!' with the musclecars for the first in the 'Best Of' 2024 folder!
You'll recall we were very excited about musclecars being represented on the Audrey Powne single, 'Feed The Fire'(see review HERE)
There's a deep spiritual feel to this and their other productions (what's the odd on them getting together with Alina Bzhezhinska & Tony Kofi on BBE with the 'Anima' project? - see reveiw HERE) and then there's others who just want to paaarrrrrrtteeeeeeee with the Shannon Harris' A Love 4 Joy Journey Mix.
And these guys do like the perfect lenght of 7-9 minutes per track and will be featuring in our charts for ever more: but where's the Audrey Powne remix? (don't forget last week's 'Single of the Week', 'From The Fire'. see review HERE)
.
Artist: musclecars feat. Natalie Greffel
Title: Ha Ya! (Eternal Life) original / instrumental / Shannon Harris' A Love 4 Joy Journey Mix.
Craig Charles' Funk & Soul show loves these guys and so will you when hurt walks out the door with their new single on Ramrock Records.
If you like that mix of US soul via Stax, Stateside, Motown (Marcus was a member of Detroit's very own Mitch Ryder & The Detroit Wheels) and that UK style of R&B (at random, say, Van Morrison, Frankie Miller, Jess Roden, Graham Parker), 'Hurt Walks Out The Door' is right up your street with it's immaculate horn arrangements and solid guitar solo (that really stands out on the instrumental version).
Kinda of reminds me of James Carr's classic, 'Dark End Of The Street' and don't forget the album 'Interstate 75' (see review HERE) for even more great tracks.
Even so, you gotta get the instrumental of 'When Hurt Walks Out The Door' as the organ will make the hairs on the back of your neck and the guitar solo will make you cry and reach for the Wah Wah pedal at the same time.
The wait for the Peacey album continues but that's cool whilst Atjazz keep teasing us with singles like 'Playground' with instrumental and acid versions.
Following on from the "holiday" release of 'Cultural Bandit' that featured the 'angry' and insightful spoken word poetry of Vanessa Hidary (see review HERE) this track is more of a post UKG boogie soul that features the vocals of Rona Ray whilst deep in the background in the spirit of Roger Troutman (Mr Peacey knows his synth history I reckon).
And it's the synth acid vocal version and dub that's going to get some serious club plays if you ask me.
Strongly suspect one of these tracks will be featured on this months' Colour & Pitch Sessions mixtape (see below) and 'Playground', like Culture Bandit' and ‘Play It By Ear’, are from the forthcoming Peacey album 'Play It By Ear' that's due out in a couple of months.
Eric Hilton if half of Thievery Corporation but his new album, Sound Vagabond, is no 50% effort, in fact it's more than 100% essential this year.
Thievery Corporation, as one of the early exponents of trip-hop, downtempo, dubby beats, making their name with Bebel Gilberto as one of Gilles Peterson's favourite tracks on the late 1990's, 'So Com Vocé', forming the ESL label and being sought after remixes ever since.
Since 2020 Eric has been just as busy as 'Sound Vagabond' is his sixth album on his own Montserrat House label. Don't think for a moment he's not got the enthusiasm for a 14 track instrumental album as this sound vagabond has travelled the world and picked up so many influences that the album is a proper melting pot but not sloppy; all tracks are as sharp as the 60s mod artwork.
With such a history of making music with samples and remixing, it is incredible that the album has been formed with some free library music as a backbone. From the opening track, hip-hoppy harp with 60s organ on 'Endless Affair' (like a modern day Thomas Crown) to the last track 'Lumi' (that possible encapsulates the whole album) you'll be thinking, "this is my favourite" track as it's quality throughout.
If you push me, 'Poppy Fields' is a fantastic mix of 60s cinematic Indo-funk acid jazz and the longest tracks on the album, 'Mumbai Hustle' (very sexy) and the dreamy jazz beats of 'Cerro Alegre' are mesmeric; along with 'The Grand Intro'.
This album has been inspired by many global influences and as an album for the world, the only problem with this album is tht all the tracks could be longer as they are so good and whilst we loved his album with Natalia Clavier, 'Corazón Kintsugi' from last year (see review HERE), 'Sound Vagabond' is even better!
.jpg)
.jpg)
