When came too loud not be loud enough? When you need to keep 'Too Loud' by Soledrifter (featuring Alexandra Morrision) on repeat... all day!
This is so 'UP' and bouncey you really do want to keep it on all day and it's been so worth the wait since this equally enjoyable 'The Sound Of Life' by Sebb Junior from Papa Records (see review HERE).
I'm not particular well travelled but I did spend a few hours in Halifax (that's the airport in Canada not Yorkshire although I have been there on a wet Tuesday night) and I just find it hard to imagine Soledrifter (Russian born Dmitry Meshcheryakov) pumping out such a knock-out house track (aided by fellow Canadian Alexandra Morrison's low key vocals). This is so hypnotic, at one stage I thought she was singing "Tim Flowers" instead of "Too Loud" (Ed. what are you on?) and hoping her acid reflux gets better; now there's a thought - acid remix?
Mr Bongo's art department have got their finger on the button as the image perfectly reflects the debut album by Finn Rees, 'Dawn Is A Melody'.
You might think that this the natural 'jazzy' follow up to Rubel's album 'Palavras, Vol. 1 & 2' (see review HERE) as it comes from the hot-bed of Australian jazz-soul-hip-hop, Melbourne where Finn Rees in based.
The opener, 'Looking Up' is like a lush mix of Cinematic Orchestra and Miguel Atwood-Ferguson's 'Suite For Ma Dukes' which is more than a recommendation in itself.
And this quality continues throughout 'Lagoon', 'Expansions' (like a modern Lonnie Liston Smith). 'It's Behind Me Know' and 'Crossing' all stand-out but it's all in a deep spiritual envelope of the Coltrane's, Funky Herbie and all of Mr. Bongo's back catalogue of sunrise/sunset Brazilian classics (check out 'Between Spaces' - one of ENO's 'Nature' project?).
And then, at the same time, this has an Aussie bravado; Rees' keyboard skills are joined by Cheryl Durongpitikul (tenor sax), Siwei Wong (harp), Audrey Powne (trumpet and recent album, 'From The Fire', see review HERE), and Allysha Joy on vocals - sounds like a 'Brownswood' super group!
This is going to crop up on many a 'Best Of 2024' list to come.
We've been ontop of all of the latest releases by Nick Marks as he's another out of the Melbourne Skool (check the other big release today on Mr. Bongo, Finn Rees - see review HERE).
This is just as good as 'Cinematic Chromatics Vol.I' (see review HERE) as Cinematic Chromatics Vol.II' features Doron Lev (rap and drums) on 'Keep Goin' Gotta Keep Up' and there's also Andrew Gould (alto sax) who has played with the Ron Carter Big Bad), Dave Levy on trumpet (Norah Jones, LCD Sound System, Robert Glasper and on electric guitar, Danny Hayoun.
With such a level of talent, this is another great fusion of hip-hop, funk, jazz where Weather Report can sit next to Thundercat.
Four great tracks on this EP and so far I've resisted saying, "Top Marks" but this is the time, Nick "Top" Marks is hitting all the doubles 'n' out.
Were we spoilt by the single, 'Friday' (see review HERE)? I must admit, I did think we were for a while but the remaining tracks of Atelier's album,'Light Towards The Exit' are a beautiful mix of soft and dark; check the album cover of hard metal escalator with discarded rose which is a bit of a reflection of their soul/electronic/industrial sound.
Atelier is the South African duo Alexander Inggs andJaś Miszewski who now live in Berlin with a collection of analog synths, drum machines and electronics.
The recent compilation on Compost Records, 'Future Sounds Of Kraut Vol. 2 Compiled by Fred und Luna' (see review HERE) is like a foundation course in 'Lights Towards The Exit' - and throw in some soulful/warped Depeche Mode and some more leftfield club culture and intriguing it is.
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'Miss You' and 'Talk To Her' are more immediate whilst 'Metal Head', a sutble 'Trans Europe Express' seems far too short. Whilst on the high(er) speed track, expect 'Honeysucker' as the next single.
Berlin based label run Lossless have got themselves unoubted talents with Atelier and then is light at the end of the tunnel.
I might be getting to sound like a broken record, but BBE Music's eclectic musical taste is as good as ever this year and The Brkn Record's 'The Architecture of Oppression Part 2' celebrates this in so many ways
This is in total contrast to the label's last album, the equally excellent self-titled, Grupo Ébano (see reveiw HERE), The Brkn Record's follow-up to 'The Architecture Of Oppression Part 1' (Mr. Bongo) continues a theme of the fight against the evils and wickedness of Racism in a BLM continuum with a Sun Ra/ Max Roach/Coltrane musical heritage.
The Brkn Record (aka Jake Ferguson) being 50% of founder of the Heliocentrics (along with Malcolm Catto: last seen of the mixing desk HERE) and with his long contacts list has managed to work here with Percee P (Stones Throw Records), poet/author Anthony 'The African Origins Of UFOs' Joseph (last seen HERE) at one extreme and at the other, two young talents from a Ferguson community project in Hackney, Great Okosun and Yolanda Lear.
Much like the first album, Part 2 is a heady mix of jazzy psychedelic soul funk hip-hop spiritual (quite a bit of Alice Coltrane vibe going on) with the Joseph tracks ('Skull Tax', 'Indifference' and the very Heliocentric, 'Intensity In Five') standing out along with the Ugochi Nwaogwugwu tracks ('Believe' and 'Prison Of Skin' in a Indo-Cinematic Orchestra of Ra way) ,the closer, 'The Walls Of Jericho' featuring Dylema and back from Part 1, Jermain Jackson ('We Need Freedom').
If often said, if it ain't broke, don't fix it - this Brkn Record sees the broken in us and these ten tracks are said, "inspires, compels and empowers". With the continuing state of world affairs, not only do we expect a Part 3, we need a Part 3!
Is there a more consistent jazz space cowboy from Finland than Jimi Tenor? We very much doubt it and the new album with label house band, Cold Diamond & Mink, is packed with 110 year old Sun Ra spaceways.
Sun Ra might be a founding influence but these six track are far more ingrained with 60s soul with the added benefit of Jimi's flautist excellence.
There might only be six tracks but if you were after some space funk 'n' soul, hip-hop roots this is the place to start a modern appreciation.
Long time fan, Gilles Peterson (BBC 6 Music and lots more) recently played 'What Are You Doing' on his Saturday show and it's a stand-out 'Saturday Night' ESG/post-punk funk party as the title track is deep blue eyed space soul-jazz.
Cold Diamond & Mink are the Finnish version of Daptone, Menahan Street Band or more recently JJ Whitefield & Forced Meditation (and when I say recent, their album, 'The Infinity Of Nothingness' is out today! - see review HERE) and whilst the vocal/instrumental 'Gaia Sunset ' Parts 1&2 is ideal '45' sized retro space funk, the reduced opus is lo-fi-minimal Motown at it's best.
'Orbiting Telesto' and 'Laputa' are more OST/Joe Meek sideways psych tribute at the Gates of Dawn by cosmic Jim and regular readers will know I not a huge fan of "La, la, laars" but that a minor gripe when you see them "sweaty and hot" with BBC Radiolab synth alarms ('What Are You Doing').
Jimi always looks to me like a jazz-mod that's lost his space-ship (which is a good thing) and whether it's Jimi's work on the Philophon label, (a label run by JJ's brother, Max Whitefield) like the recent 'My Mind' (see review HERE) or this collaboration, he's an absolute star in our eyes and this is a definite 'Must Have' for 2024.
New JJ Whitefield on Jazzman Records as he investigates the 'The Infinity Of Nothingness' with Forced Meditation; that's enough recommendation in itself.
My first memory of the "Whitefield" name was in the basement of Record & Tape Exchange in the basement in the locked glass display cabinets so if you were interested, you had to approach the grumpy staff to unlocked the cabinets to check it out. And in truth, I was more interested in the Madlib/Stones Throw releases it was next to but in for a penny etc. But I noticed that 10 years earlier JJ was remixing cover versions of Andy Bey's classic, 'Celestial Blues' (by Space Clique) and then as a member of Karl Hector & The Malcouns (Now-Again's anwers to Jazzman's The Heliocentrics). And it's taken all these years to fall in that the other Whitefield Brother is ex-Heliocentric/Philophon top man and Jimi Tenor's best mate, Max Weissenfeldt!
So, this album by multi-instrumentalist JJ continues his explorations into the relms of spiritual jazz with Ethio-Afro-psychedelic-free-avante-garde space beats that is more Ra in contemplation than dancefloor.
The B-side is mostly taken by the 3-Part 'Infinity Suite' (Time, Space, Energy) that's very Carlos Niño/Coltrane 'Om'/Sanders without going for the obvious gong bath stereotype.
Whilst at the ther extreme the opener 'Nothingness' is a Fleetwood Mac 'Albatros' on the beach jazz lounger and that's followed by the equally beatiful but more Keith Jarrett/Coltrane in a temple with sax, flutes and gongs, 'Solar Breeze From The East' - did someone say where's Andy Bey?
For more flutey spirit to get lost in for 9 minutes, 'Spectral Realms' that's closer to Ben Lamdin/Nostalgia 77's 'The Loneliest Flower In The Village' (also on Jazzman Records, see review HERE).
If you are a fan of Jazzman's Spiritual Jazz compilation series, (and No. 16 is coming out soon, 'Spiritual Jazz: Riverside etc.'), his is perfect warm-up for jazz yogi's and anyone else.
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Artist: JJ Whitefield & Forced Meditation Title: The Infinity Of Nothingness Release date: 31st May, 2023 Label : Jazzman Records Catalog Number : JMAN 144 180g LP / CD / Digital / Bandcamp
Before Vinícius Jr. came along, how many " Vinícius's did you know? I'm guessing not many but here's one that you're going to be hearing lots more of; make a note, it's Vinícius Mendes!
So Vinícius Júnior is going to Wembley (with Rael Madrid) but could Mr. Mendes be far behing him? Coming from the same state in Brasil as Milton Nascimento and Lô Borges, this composer, saxophonist, flautist that's been researching 'Improvisation in Free Jazz and BPIM' since he graduated from Universidade Federal de Minas Gerais. On the face of it, doesn't sound too popular but the guys at Notes On A Journey (a sub-label of the all knowledgeableSonar Kollektiv and guru Jürgen von Knoblauch of Jazzanova).
So we've got two albums, Vol. 1 recorded in 2021 and Vol. 2 the following year that's a collection of originals and cover versions that's like a create dig of some lost Sergio Mendes (no relation) that Ed Motta would have been proud of - like finding an original Jimi Tenor from Bela Horizonte with a chilled and jazzy Azymuth with a sax/flute.
If that doesn't get you excited, you know Gilles Peterson, Forge, Curtis, Bangs, Beadle, Parnell etc will all be getting wet about the 'Aldeia de Ogum' cover version (it is rather stunning!) As an aside, I remember hearing the original jazzdance version by Joyce Moreno coming out of a record shop off Chapel Market in Islington some decades ago and I still get excited every time I hear it.
So as we desparately brush up our Latin/funk/soul/MPB/disco/jazz for the summer, put 'Macunaísmo Tardio Vol.1 and 2' top of your 'Must Have' lists. Whilst it's a push to think Vinícius Mendes will be at Wembley any time soon, could we dream of the next Dingwalls re-union?
Artist: Vinícius Mendes Title: Macunaísmo Tardio Vol.1 and 2 Release date: 24th May, 2024 Label : Notes On A Journey
Catalog Number : NEWNOAJ002
Format: 2xLP Limited Edition Gatefold Cover / Digital / Bandcamp
We've been so lucky recently to have featured new jazz albums from Sweden and here's another that's a revelation and shines a light on Coco Chatru Quartet's 'Future'.
The artwork might be retro (al la Ladybird book covers), Coco Chatru (the Quartets inspiraton, is a legendary Swedish adventurer) and the album was debuted at the Glenn Miller Cafe (this is no Glenn Miller war-time jazz).
So before we look to the 'Future', it's worth a moment to point out that jazz has been in Sweden for nearly 100 years, and whilst it might not be at it's historic peak at the moment, it does seem from this distance that there is a 'revival' similar to the Norwegian Jazzland Recordings or Finland's Ricky-Tick Records 20-25 years ago.
That's not to say there haven't been some modern Swedish jazz masters like free jazz saxophonist, Mats Gustafsson and more recently, Anna-Maria Nordström band on 'Mod' (see reveiw HERE) and Joel Haag's 'Bistro' (see review HERE).
Back to the 'Future', this eight track album is beautifully recorded and there's some big swingin' tracks like, 'På Flykt (x) Genom Djungeln' and the where all four members are on it: being, Linus Kåse (alto sax), Charlie Malmberg (baritone sax), Håkan Trygger (double bass) and Daniel Kåse (drums).
On a different vibe, Swedish bossa mellows out on 'Paubrazil' and at the othe extreme, the two longest tracks (at just over six minutes), 'Tillbaka Till Hytten' is a tender Ayler-esque blues and 'Ner I Djupet' is a killer, baritone sax led film noire OST big band swing in a Quartet setting.
And it's interesting how swinging horns are supported by drums and bass on 'Kampsång', 'Plötsligt Händer Det' (the one with Håkan's acoustic bass solo) and 'Dagdroppe'.
All songs are their own compositions and when you're as good a musician as these guys are, it could have been easy to have thrown in a quick populist cover version, That would have have stuck out like the proverbial sore thumb as the Coco Chatru's Jazz Adveturers are cooler than that.
Just going back to history, I don't suppose I can leave out meniton of the adoption of many U.S. jazz musicians in the sixties in Europe, particularly Albert Ayler, Don Cherry and Ornette Coleman in Scandinavia (and importantly, The Ornette Coleman Trio's album, 'At The "Golden Circle", Stockholm' on Blue Note) and CCQ have taken some of that heritage into their Stockholm free-swing on this great album.
Only available on vinyl at the moment so get you're orders in now!
After a while, you'll all be saying, "All I Ever Wanted" was an Atjazz Remix!
Taken from the album, 'Badly Written Songs' (see review HERE), it was one of our favourites for the deepness of those synths and the vocals of Sophia Marshall (Ed. are we're that easy to please?)
Earmarked for a remix release, Atjazz (aka Martin Iverson) has had another two goes a "summer" pop remix and the wider Astro remix. All with instrumental versions all with the original, this is definitely six of the best.
This is your 2024 summer sound right here, so take it that 6 is the new Magic Number.
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